Arab Agricultural Industry Backdrop Blur
Arab Agricultural Industry Poster

Arab Agricultural Industry

In 1908-1909, Albert Samama Chikli sold his negatives mostly if not exclusively to the short-lived Le Lion company. Shot in 1910 and released in January 1911, Industrie agricole arabe was possibly the first negative he sold to Gaumont, marking the beginning of a long collaboration. Hidden in a longer compilation edited in the 1920s by Gaumont for educational purposes, negative material of the film has recently been rediscovered and identified with the help of frame enlargements and contact prints of film frames in the Albert Samama Chikli Archives. La Figue de Barbarie, the opening part of the four parts of Industrie agricole arabe, is a perfect example of Samama’s filmmaking: informal, lively, direct, human and devoid of orientalism or pictorialism. –Mariann Lewinsky

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In 1908-1909, Albert Samama Chikli sold his negatives mostly if not exclusively to the short-lived Le Lion company. Shot in 1910 and released in January 1911, Industrie agricole arabe was possibly the first negative he sold to Gaumont, marking the beginning of a long collaboration. Hidden in a longer compilation edited in the 1920s by Gaumont for educational purposes, negative material of the film has recently been rediscovered and identified with the help of frame enlargements and contact prints of film frames in the Albert Samama Chikli Archives. La Figue de Barbarie, the opening part of the four parts of Industrie agricole arabe, is a perfect example of Samama’s filmmaking: informal, lively, direct, human and devoid of orientalism or pictorialism. –Mariann Lewinsky

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Roundhay Garden Scene

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.

Roundhay Garden Scene

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