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Drama

This is the first directorial work by the newcomer Kobayashi, who made his debut the same year in a supporting dual role in Umbrella. However, after filming several indoor scenes, production was halted due to various circumstances, and the film was never released publicly, making it a lost work. It has been skillfully edited by Mr. Mouri into a coherent piece. It allows us to glimpse the origins of Kobayashi’s lifelong study of romance films. One is captivated by its exquisite lighting and camera work.

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Overview

This is the first directorial work by the newcomer Kobayashi, who made his debut the same year in a supporting dual role in Umbrella. However, after filming several indoor scenes, production was halted due to various circumstances, and the film was never released publicly, making it a lost work. It has been skillfully edited by Mr. Mouri into a coherent piece. It allows us to glimpse the origins of Kobayashi’s lifelong study of romance films. One is captivated by its exquisite lighting and camera work.

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The Pornographers

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

The Pornographers

7.2 1966