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Make Up

“The make-up artist Serge Lutens is shown covering a model’s face with powder then working it into her face over several minutes. The face becomes a canvas, primed for painting. Flesh is turned into something different, looking like marble. It seems as though life has to be frozen in order to achieve beauty.” –Harun Farocki

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“The make-up artist Serge Lutens is shown covering a model’s face with powder then working it into her face over several minutes. The face becomes a canvas, primed for painting. Flesh is turned into something different, looking like marble. It seems as though life has to be frozen in order to achieve beauty.” –Harun Farocki

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The Cabinet of Jan Švankmajer

In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.

The Cabinet of Jan Švankmajer

6.9 1984