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Incubator

A documentary film about the transformation of an exile community nearly twenty years after the end of the Cold War. This film is about growing up in an exile community in the West, developing a double-identity, and becoming a hyphenated-somebody. It’s about learning to have two homelands at the same time - one in real life, and the other imagined and maintained by parents who were forced to flee. It is about a first generation of children whose parents lived abroad longer than they originally expected to, and who never really assimilated. The story is told through an unlikely, albeit dramatic reunion – one which involves a Hungarian rock opera performed in the Sierra Nevada mountains of California by a cast of 40-something Hungarian-Americans. The original cast, including the film's director, meet in the exact same spot they performed Stephen, the king 25 years ago, as Hungarian scouts during summer camp in 1984.

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Overview

A documentary film about the transformation of an exile community nearly twenty years after the end of the Cold War. This film is about growing up in an exile community in the West, developing a double-identity, and becoming a hyphenated-somebody. It’s about learning to have two homelands at the same time - one in real life, and the other imagined and maintained by parents who were forced to flee. It is about a first generation of children whose parents lived abroad longer than they originally expected to, and who never really assimilated. The story is told through an unlikely, albeit dramatic reunion – one which involves a Hungarian rock opera performed in the Sierra Nevada mountains of California by a cast of 40-something Hungarian-Americans. The original cast, including the film's director, meet in the exact same spot they performed Stephen, the king 25 years ago, as Hungarian scouts during summer camp in 1984.

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When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

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