The West is alive (Der Westen Lebt) is a highly charged work, a powerful visual metaphor of desire within the symbolism of Western cultural mythology. A man and a woman fighting for a kiss collide on-screen with a repeated film fragment of the thrusting pistons of an oncoming train. The couple's erotic interplay is at once passionate, violent and ironic.
Heike-Melba Fendel
The West is alive (Der Westen Lebt) is a highly charged work, a powerful visual metaphor of desire within the symbolism of Western cultural mythology. A man and a woman fighting for a kiss collide on-screen with a repeated film fragment of the thrusting pistons of an oncoming train. The couple's erotic interplay is at once passionate, violent and ironic.
As a cowardly farmer begins to fall for the mysterious new woman in town, he must put his new-found courage to the test when her husband, a notorious gun-slinger, announces his arrival.
Will Keane, a Manhattan restaurateur, is content with his playboy lifestyle until he meets Charlotte Fielding, a free-spirited young woman. Together the pair pursue a passionate affair that forces them both to reevaluate what they want out of life, even as fate threatens to steal away their future.
A bronc rider in denial about his fading rodeo career battles against brain injury and a sudden blizzard while reflecting on how it became so difficult to achieve his dreams.
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
Waking Life is about a young man in a persistent lucid dream-like state. The film follows its protagonist as he initially observes and later participates in philosophical discussions that weave together issues like reality, free will, our relationships with others, and the meaning of life.
In the ravaged near-future, a savage motorcycle gang rules the road. Terrorizing innocent civilians while tearing up the streets, the ruthless gang laughs in the face of a police force hell-bent on stopping them.
This film chronicles the life of Lane Frost, 1987 PRCA Bull Riding World Champion, his marriage and his friendships with Tuff Hedeman (three-time World Champion) and Cody Lambert.
After moving to Pasadena, Texas, country boy Bud Davis starts hanging around a bar called Gilley's, where he falls in love with Sissy, a cowgirl who believes the sexes are equal. They eventually marry, but their relationship is turbulent due to Bud's traditional view of gender roles. Jealousy over his rival leads to their separation, but Bud attempts to win Sissy back by triumphing at Gilley's mechanical bull-riding competition.
Grindhouse combines Robert Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Quentin Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. It is presented as a double feature with fictitious exploitation trailers preceding each segment.
A captured mustang remains determined to return to his herd no matter what.