Amador explores their identity through a journey that seeks to challenge the definition of gender. They are afraid of mutating and becoming a man or a woman. The film is a journey through their city, their family, their hair, their body and their fears.
Amador explores their identity through a journey that seeks to challenge the definition of gender. They are afraid of mutating and becoming a man or a woman. The film is a journey through their city, their family, their hair, their body and their fears.
A former special forces contractor is forced out of retirement as an avocado farmer in Mexico when local gangsters try to force him and his family off their farm.
Lovell Milo is a man who begins experiencing his life out of order; every day he wakes up at a different age, on a different day of his life, never knowing where or when he’s going to be once he falls asleep. He’s terrified and wants it to stop - until he notices a pattern in his experience, and works to uncover why this is happening to him - and what or who is behind it.
An unemployed drifter, Eric Stanton wanders into a small California town and begins hanging around the local diner. While Eric falls for the lovely waitress Stella, he also begins romancing a quiet and well-to-do woman named June Mills. Since Stella isn't interested in Eric unless he has money, the lovelorn guy comes up with a scheme to win her over, and it involves June. Before long, murder works its way into this passionate love triangle.
When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school. Weaving through past and present, the script follows a transvestite performer who reconnects with a grade school sweetheart. Spurred on by this chance encounter, the character reflects on her childhood sexual victimization and the trauma of closeting her sexual orientation.
A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.
Pablo, a successful film director, disappointed in his relationship with his young lover, Juan, concentrates in a new project, a monologue starring his transgender sister, Tina. Antonio, an uptight young man, falls possessively in love with the director and in his passion would stop at nothing to obtain the object of his desire.
One evening, Hammer gives a ride to Christina, an attractive hitchhiker on a lonely country road, who has escaped from the nearby lunatic asylum. Thugs waylay them and force his car to crash. When Hammer returns to semi-consciousness, he hears Christina being tortured until she dies. Hammer, both for vengeance and in hopes that "something big" is behind it all, decides to pursue the case.
Monica is desperate to be prom queen, but on the big night, her hair is an uncontrollable mess. Meanwhile, FBI agent Liz Morgan is on the hunt for a jewel thief who is looking for a stolen necklace, which Monica has in her possession. Soon, she and the agent chase the jewel thief, and she's whizzed on a wild adventure in the city.
Harper is brought to Louisiana to investigate an attempted blackmail scheme. He soon finds out that it involves an old flame of his and her daughter. He eventually finds himself caught in a power struggle between the matriarch of the family and a greedy oil baron, who wants their property. Poor Harper! Things are not as straight-forward as they initially appeared.
A portrait of the director’s young adulthood, set in the 1940s–1950s, in the electric capital city of Santiago. There, he decides to become a poet and is introduced, by destiny, into the foremost bohemian and artistic circle of the time.