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White Woman

A nightclub singer marries the rich owner of a rubber plantation. When she returns with him to his estate in Malaysia, she finds out that he is cruel, vicious and insanely jealous. She and the plantation's overseer develop a mutual attraction, but are terrified at what will happen if her husband finds out.

Top Cast

  • Carole Lombard

    Carole Lombard

    Judith Denning

  • Charles Laughton

    Charles Laughton

    Horace H. Prin

  • Charles Bickford

    Charles Bickford

    Ballister

  • Kent Taylor

    Kent Taylor

    David von Elst

  • Percy Kilbride

    Percy Kilbride

    Jakey

  • James Bell

    James Bell

    Hambly

  • Charles Middleton

    Charles Middleton

    Fenton

  • Claude King

    Claude King

    C.M. Chisholm

  • Ethel Griffies

    Ethel Griffies

    Mrs. Chisholm

Overview

A nightclub singer marries the rich owner of a rubber plantation. When she returns with him to his estate in Malaysia, she finds out that he is cruel, vicious and insanely jealous. She and the plantation's overseer develop a mutual attraction, but are terrified at what will happen if her husband finds out.

Rating

5.8 / 10
10 Reviews
0 Popular

1 Reviews

  • CinemaSerf
    CinemaSerf
    6 Jul 15, 2024

    After the suicide of her husband, down on her luck "Denning" (Carole Lombard) finds herself reduced to singing in a remote club where she espies a chance to escape the drudgery by marrying the "King of the River" - "Prin" (Charles Laughton). He's an outwardly charming fellow, but when she gets to his converted boat many days into the Malay jungle, she discovers he's a bit of a sadistic brute who rules his lucrative rubber planation ruthlessly. Her arrival sets the cat amongst the pigeons and sows a bit of dissent amongst his team causing temperatures to rise and tempers to flare - and that's before the arrival of the plain-speaking "Ballister" (Charles Bickford) who decides that this reign of terror must be stopped. How, though? "Prim" is well prepared and the natives are either terrified or armed only with spears against his guns. I'm an huge fan of Laughton but his role here seems a little too faux-cockney, vaudevillian and reminiscent of his performance from "The Private Lives of Henry VIII" also made in 1933 - especially when he is chewing to camera! Lombard is also out of sorts, a bit - her character has a stiltedness that even the romantic tryst scenario can't really enliven. It had potential, the story is good and the cast were all there - but Stuart Walker can't quite get this adventure firing on all cylinders.

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