Zandy's Bride
"More Like a War Than a Marriage"
Zandy Allan purchases a mail-order bride, Hannah Lund. He treats her as a possession, without respect or humanity, until their shared ordeal as they struggle to survive develops in him a growing love.
"More Like a War Than a Marriage"
Zandy Allan purchases a mail-order bride, Hannah Lund. He treats her as a possession, without respect or humanity, until their shared ordeal as they struggle to survive develops in him a growing love.
Gene Hackman
Zandy Allen
Liv Ullmann
Hanna Lund
Eileen Heckart
Ma Allan
Susan Tyrrell
Marai Cordova
Harry Dean Stanton
Songer
Joe Santos
Frank Gallo
Frank Cady
Pa Allan
Sam Bottoms
Mel Allan
Bob Simpson
Bill Pincus
Zandy Allan purchases a mail-order bride, Hannah Lund. He treats her as a possession, without respect or humanity, until their shared ordeal as they struggle to survive develops in him a growing love.
Gene Hackman turns in one of his best performances in this intimate western. Hackman is Zandy, a hard and angry rancher who needs a wife to cook the meals and birth him some sons, and sends away for one. The titular bride comes in the form of Hannah (Liv Ullmann), fresh off the stage from Minnesota to the gorgeous coast near Monterey, California. Hannah has lied about her age and Zandy already has it in for her from the beginning. The two are married immediately, and Zandy sexually assaults his new bride that night (this is a very hard "PG" rated film). Zandy's place is filthy, and Hannah does what she can to clean it up. She makes some meek requests- things like a clothesline, no hats at the dinner table, and Zandy must wash his hands before eating. Zandy reacts angrily and violently to this, and eventually we find out why. Zandy goes to visit his father (Frank Cady), mother (Eileen Heckart), and little brother (Sam Bottoms). There, Pa treats Ma with even less regard than Zandy treats Hannah. Zandy returns home and finds Hannah has befriended Maria (Susan Tyrrell), a hot-to-trot Latina who has obvious designs on Zandy. Tyrrell is surprisingly good in a part that she would be all wrong for. The film wanders from situation to situation, things that may seem minor today, but were part of life back then. Zandy is attacked by a bear, and carted home by some neighbors, who invite the isolated couple to a Thanksgiving barbecue. In one of the film's strongest scenes, Hannah tries to please Zandy by curling her hair and dressing in a red dress, just to be dunked in a horse trough and humiliated by her husband, who thinks she looks like a hussy. Hannah meekly fights back here and there, but she is trying to make the most of her situation. She walks in on Zandy and Maria together, and Zandy takes off for months without telling Hannah where he is going. Jan Troell and screenwriter Marc Norman fashion a great film here. This is a western, but there are no gunfights, no sheriffs, no outlaws, just seemingly realistic life. Troell's camera finds great little scenes, showcasing the actors who are dressed down and dowdy. Life then was ugly, and Troell captures it well. Hackman is incredible. He is really unlikable, cruel, and delights in the cruelty he shows to his new wife. Hackman never crosses the line into caricature, his character is totally believable. Ullmann is also great, not becoming just another victim who turns into a liberated woman at just the right time. The audience realizes she is a person before Zandy does. Like I wrote, Tyrrell is good, as is Heckart. She has a great pained look that is the product of years of her character's abuse at the hands of Frank Cady's Pa, eons from his folksy sitcom characters. The script sends us through the lives of these people without too much direction, and I believe this is because these people's lives were just as directionless. There is an underlying anger and toughness to this cast that you do not see in many westerns, which seem to make us think that life then was really fun. "Zandy's Bride" is not your average western, and even non-genre fans will find something to like. I highly recommend it.
Respected black cavalry Sergeant Brax Rutledge stands court-martial for raping and killing a white woman and murdering her father, his superior officer.
Harvard graduate James Averill serves as the sheriff of prosperous Jackson County, Wyoming, standing at the center of a conflict between impoverished immigrants and affluent cattle farmers. Politically connected ranchers enlist mercenary Nathan Champion—who is also vying for the affections of local madam Ella Watson—to combat the immigrant uprising. As tensions escalate, both Averill and Champion start to question their decisions.
A former Union Army officer plans to sell out to Anchor Ranch and move east with his fiancée, but the low price offered by Anchor's crippled owner and the outfit's bullying tactics make him reconsider. When one of his hands is murdered he decides to stay and fight, utilizing his war experience. Not all is well at Anchor with the owner's wife carrying on with his brother who also has a Mexican woman in town.
An independent former ranch foreman and an heiress are kidnapped by a trio of ruthless outlaws.
This film chronicles the life of Lane Frost, 1987 PRCA Bull Riding World Champion, his marriage and his friendships with Tuff Hedeman (three-time World Champion) and Cody Lambert.
Will Tenneray and Abe Cross are two aging, famous gunfighters, both in need of money. Tenneray comes up with the idea to stage a duel to the death in a bullfight arena, with the ticket proceeds going to the winner.
After striking gold in Alaska, the romantic George sends his womanizing partner Sam to bring his fiancée up from Seattle. When Sam finds that she has already married, he returns instead with Angel, a dancer originally from France.
Beautiful half-breed Pearl Chavez becomes the ward of her dead father's first love and finds herself torn between her sons, one good and the other bad.
A man and his partner arrive at a small Western town to kill its most powerful man because the former blames him for his wife's death.
A former champion rodeo rider is reduced to using his saddle skills to promote a breakfast cereal in a gaudy Las Vegas show. When he's asked to perform with a $12 million horse, he discovers it is being doped to remain docile. He flees into the desert astride the beast in an act of defiance. A story-hungry female reporter gives chase.