"He knew all women! Their lives...Loves...Their souls!"
A character study depicting the life of Rembrandt Van Rijn at the height of his fame in the mid 1600s. Beginning with the death of his wife, Rembrandt's work takes a dark turn, which offends many of his patrons.
Charles Laughton
Rembrandt van Rijn
Gertrude Lawrence
Geertje Dirx
Elsa Lanchester
Hendrickje Stoffels
Edward Chapman
Fabrizius
Walter Hudd
Capt. Banning Cocq
Roger Livesey
Beggar Saul
John Bryning
Titus van Rijn
Sam Livesey
Auctioneer
Herbert Lomas
Harmenzs van Rijn
A character study depicting the life of Rembrandt Van Rijn at the height of his fame in the mid 1600s. Beginning with the death of his wife, Rembrandt's work takes a dark turn, which offends many of his patrons.
There's something magical about the characterisations in this biopic of the legendary 17th century Dutch painter. Not just Charles Laughton in the title role, but Elsa Lanchester as Hendrickje Stoffels and Gertrude Lawrence as Geertje Dirx - the women in his life - all add to the charm and create an effortless depth of personality for this film. Alexander Korda clearly had a rapport with his stars, and a creative vision that enabled this story to flow without resorting to it just being a chronology of his artist achievements. Of course it's all, largely, speculation - but it is an engaging look at not just how he lived his life (quite irresponsibly) but of just how hand-to-mouth many artists of the time lived and yet now - as it states in the prologue "no millionaire could ever fund the acquisition of his works". Geoffrey Toye is to be commended for his gentle, sympathetic accompaniment to this charismatic depiction of artistic greatness - flaws and all, and although Laughton does revert a bit to type at the end (à la Henry VIII from 1933) it's still a super film to watch.
Electricity titans Thomas Edison and George Westinghouse compete to create a sustainable system and market it to the American people.
Young women toiling in a factory are exposed to hazardous material which takes a disastrous toll on their health.
A fictionalised exploration of Beethoven's life in his final days working on his Ninth Symphony. It is 1824. Beethoven is racing to finish his new symphony. However, it has been years since his last success and he is plagued by deafness, loneliness and personal trauma. A copyist is urgently needed to help the composer. A fictional character is introduced in the form of a young conservatory student and aspiring composer named Anna Holtz. The mercurial Beethoven is skeptical that a woman might become involved in his masterpiece but slowly comes to trust in Anna's assistance and in the end becomes quite fond of her. By the time the piece is performed, her presence in his life is an absolute necessity. Her deep understanding of his work is such that she even corrects mistakes he has made, while her passionate personality opens a door into his private world.
Taken into slavery after the fall of Jerusalem in 605 B.C., Daniel is forced to serve the most powerful king in the world, King Nebuchadnezzar. Faced with imminent death, Daniel proves himself a trusted Advisor and is placed among the king's wise men. Threatened by death at every turn Daniel never ceases to serve the king until he is forced to choose between serving the king or honoring God. With his life at stake, Daniel has nothing but his faith to stand between him and the lions' den.
Famed but tormented artist Vincent van Gogh spends his final years in Arles, France, painting masterworks of the natural world that surrounds him.
A fictionalized account of famous French writer Emile Zola and his involvement in the Dreyfus Affair. After struggling to establish himself, Zola wins success writing about the unsavory side of Paris and settles into a comfortable upper-class life. However, Zola's complacency is shaken when Jewish officer Alfred Dreyfus is imprisoned for being a spy. Realizing that Dreyfus is an innocent victim of anti-Semitism, Zola boldly pens a newspaper article exposing the truth, is charged with libel and must defend himself in a dramatic courtroom testimony.
Paris, 1964. The Swiss sculptor and painter Alberto Giacometti, one of the most accomplished and respected artists of his generation, asks his friend, the American writer James Lord, to sit for a portrait, assuring him that it will take no longer than two or three hours, an afternoon at the most.
Stephen Glass is a staff writer for the respected current events and policy magazine The New Republic and a freelance feature writer for publications such as Rolling Stone, Harper's and George. By the mid-90s, Glass' articles had turned him into one of the most sought-after young journalists in Washington, but a bizarre chain of events - chronicled in Buzz Bissinger's September 1998 Vanity Fair article - suddenly stopped his career in its tracks.
To Walk Invisible takes a new look at the extraordinary Brontë family, telling the story of these remarkable women who, despite the obstacles they faced, came from obscurity to produce some of the greatest novels in the English language.
In 1947, Lord Mountbatten assumes the post of last Viceroy, charged with handing India back to its people, living upstairs at the house which was the home of British rulers, whilst 500 Hindu, Muslim and Sikh servants lived downstairs.