Riding Shotgun
"He held a town at bay... to save it!"
When a stagecoach guard tries to warn a town of an imminent raid by a band of outlaws, the people mistake him for one of the gang.
"He held a town at bay... to save it!"
When a stagecoach guard tries to warn a town of an imminent raid by a band of outlaws, the people mistake him for one of the gang.
Randolph Scott
Larry Delong
Wayne Morris
Deputy Sheriff Tub Murphy
Joan Weldon
Orissa Flynn
Joe Sawyer
Tom Biggert
James Millican
Dan Marady
Charles Bronson
Pinto
James Bell
Doc Winkler
Fritz Feld
Fritz
Richard Garrick
Walters
When a stagecoach guard tries to warn a town of an imminent raid by a band of outlaws, the people mistake him for one of the gang.
The Deepwater Dimwits. Riding Shotgun is directed by Andre De Toth and adapted to screenplay by Thomas W. Blackburn fro the story “Riding Solo” written by Kenneth Perkins. It stars Randolph Scott, Wayne Morris, Joan Weldon, Joe Sawyer, James Millican, Charles Bronson and James Bell. Music is by David Buttolph and Warnercolor cinematography is by Bert Glennon. Before he would make the Western movies with Budd Boetticher that would define him as a Western movie legend, Randolph Scott worked tirelessly in the genre. He would make 6 films with Ray Enright and 6 with Andre De Toth, all of these are good value for the Western fan. They vary in thematic quality, but production value was always decent and there was always Randy at war with some gruff or poncey bloke, nice location photography and of course some gorgeous ladies as well. That’s enough for genre fans who happily take these movies on their required terms. Anyone else got anything to say? Riding Shotgun has Scott as Larry Delong, a man who spends his time “riding shotgun” as a stagecoach guard. He has an ulterior motive, though, he’s constantly on the look out for a known outlaw, Dan Marady (Millican), and he wants him dead. Sure enough Malady is about the place and Larry falls into a trap and finds things spiralling so out of control, that by the time he manages to get back into town, practically everyone hates him and thinks he’s part of Marady’s murderous gang. Hate makes a man careless. Cue a scenario where Delong, who has been wonderfully providing us with a film noir like narration throughout (love the wry David and Goliath observation), literally has to make a one man stand against the dimwit townsfolk and also Marady and his henchmen who are fronted by twitchy gun Pinto! (Bronson). It clocks in at under 75 minutes, it’s brisk, it has Scott kicking ass big time and it looks lovely (unsurprising with Glennon photographing). Is it flawless? God no! There’s some distinctly below average acting around Scott (Morris/Millican), while Fritz Feld as the Cantina owner (erm, called Fritz) where Delong holes up, is annoying in the extreme. While as radiant and perky as Joan Weldon is, she’s no actress capable of grabbing a scene and shooting electricity through it. But this type of Scott Oater is comfort food to genre fans who once in a while like to down pistols and relax away from the more serious genre fare. 7/10
A group of unlikely travelling companions find themselves on the same stagecoach to Cheyenne. They include a drunken doctor, a bar girl who's been thrown out of town, a professional gambler, a travelling liquor salesman, a banker who has decided to embezzle money, a gun-slinger out for revenge and a young woman going to join her army captain husband. All have secrets but when they are set upon by an Indian war party and then a family of outlaws, they find they must all work together if they are to stay alive.
John Russell, disdained by his "respectable" fellow stagecoach passengers because he was raised by Indians, becomes their only hope for survival when they are set upon by outlaws.
A band of murderous cowboys has imposed a reign of terror on the town of Warlock. With the sheriff humiliatingly run out of town, the residents hire the services of Clay Blaisedell as de facto town marshal. He arrives along with his friend, Tom Morgan, and sets about restoring law and order on his own terms whilst also overseeing the establishment of a gambling house and saloon.
An independent former ranch foreman and an heiress are kidnapped by a trio of ruthless outlaws.
After a stagecoach holdup, Frank Slayton's notorious gang leave Ben Warren for dead and head off with his fiancée. Warren follows, and although none of the townspeople he comes across are prepared to help, he recruits two others who have sworn revenge on the ruthless Slayton.
After escaping from jail, outlaw Wes McQueen is convinced by his old partner in crime to do one last heist.
Three cowboys, mistaken for members of an outlaw gang, are relentlessly pursued by a posse.
Two black bounty hunters ride into a small town out West in pursuit of an outlaw. They discover that the town has no sheriff, and soon take over that position, much against the will of the mostly white townsfolk.
On the way to pick up the bounty on a wanted murderer, a bounty hunter stops at a staging post where he is forced to continue his journey with two outlaws who want the murderer for their own reasons and a recently-widowed woman, with the murderer's brother and his men in hot pursuit.
Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.