"The terror starts the moment he stops."
On a stormy night, young Jim, who transports a luxury car from Chicago to California to deliver it to its owner, feeling tired and sleepy, picks up a mysterious hitchhiker, who has appeared out of nowhere, thinking that a good conversation will help him not to fall asleep. He will have enough time to deeply regret such an unmeditated decision.
Rutger Hauer
John Ryder
C. Thomas Howell
Jim Halsey
Jennifer Jason Leigh
Nash
Jeffrey DeMunn
Captain Esteridge
Billy Green Bush
Trooper Donner
John M. Jackson
Sergeant Starr
Henry Darrow
Trooper Hancock
Jon Van Ness
Trooper Hapscomb
Jack Thibeau
Trooper Prestone
On a stormy night, young Jim, who transports a luxury car from Chicago to California to deliver it to its owner, feeling tired and sleepy, picks up a mysterious hitchhiker, who has appeared out of nowhere, thinking that a good conversation will help him not to fall asleep. He will have enough time to deeply regret such an unmeditated decision.
Solid enough suspense-thriller with great action and menacing performance from Rutger Hauer, a few moments in the story felt a bit clunky, mainly how Jennifer Jason Leigh's character gets involved, which I will say the 2007 remake at least improved upon. Just a highly entertaining flick. **3.5/5**
**_Thrilling desert road flick ruined by an implausible villain_** This is an action-packed thriller with the milieu of the remote Southwest à la Eastwood’s “The Gauntlet” mixed with psychological horror, even slasher. So, it’s reminiscent in ways of “Duel,” “The Getaway” and "Dirty Mary, Crazy Larry," but the enigmatic antagonist’s twistedness and powers add a goofy slasher vibe. The writer defended this on the grounds of making John Ryder (Rutger Hauer) a "mythical character,” arguing that he intended the movie to be an allegory about the protagonist's journey and the transmission of "strength" in a twisted way, not a realistic story that required a conventional explanation. I don’t need an explanation of the killer or his motives, but even an allegorical story requires the viewer to buy what’s going on to suspend disbelief. For instance, in “Jeepers Creepers” the creature is an ancient demonic entity. Yet John Ryder here isn’t a supernatural being in light of the climax. So, how was he able to fly through windshields and fall off moving vehicles at high speeds no worse for wear? You just roll your eyes and say, “Yeah, right.” As bad as this is, there are other absurdities. Better films of this ilk include “Kalifornia” and “Breakdown.” C. Thomas Howell returned for a sequel in 2003, which I’ve never seen. There’s also a remake released in 2007 with Sean Bean in the title role wherein the storyline has more depth, and you feel connected to the lead characters. Best of all, Bean is more believable, not to mention the inclusion of Sophia Bush augmenting Jennifer Jason Leigh’s role is a plus. It runs 1h 37m and was shot in early 1985 in the Mojave Desert 3-4 hours’ drive northeast of Los Angeles (Victorville, Barstow, Amboy, Calico Dry Lake Bed and so on). GRADE: C-
![The Hitcher (1986) Original Trailer [FHD]](https://i.ytimg.com/vi_webp/dTs-9jKh5_U/hqdefault.webp)
While driving through the New Mexico Desert during a rainy night, college students Jim Halsey and his girlfriend Grace Andrews give a ride to a hitchhiker. While in their car, the stranger proves to be a psychopath threatening the young couple with a knife, but Jim successfully throws him out of the car. This sets off a chain of events that will change all of their lives forever.
A gang of ruthless highway killers kidnap a wealthy couple traveling cross country only to shockingly discover that things are not what they seem.
Grindhouse combines Robert Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Quentin Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. It is presented as a double feature with fictitious exploitation trailers preceding each segment.
The boredom of small town life is eating Bill Williamson alive. Feeling constrained and claustrophobic in the meaningless drudgery of everyday life and helpless against overwhelming global dissolution, Bill begins a descent into madness. His shockingly violent plan will shake the very foundations of society by painting the streets red with blood.
When an unsuspecting woman stops at a remote gas station in the dead of night, she's made the plaything of a sociopath sniper with a secret vendetta. To survive, she must not only dodge his bullets and fight for her life, but also figure out who wants her dead and why.
A psychotherapist journeys inside a comatose serial killer in the hopes of saving his latest victim.
Based on Wes Craven's 1977 suspenseful cult classic, The Hills Have Eyes is the story of a family road trip that goes terrifyingly awry when the travelers become stranded in a government atomic zone. Miles from nowhere, the Carter family soon realizes the seemingly uninhabited wasteland is actually the breeding ground of a blood-thirsty mutant family...and they are the prey.
A woman on the run from her abusive husband encounters a mysterious hitch-hiker.
An aging, reclusive Southern belle plagued by a horrifying family secret descends into madness after the arrival of a lost relative.
Two doctors find their graveyard shift inundated with townspeople ravaged by sores. Among the wounded is Cherry Darling, a dancer whose leg was ripped from her body. As the invalids quickly become enraged aggressors, Cherry and her ex-boyfriend El Wray lead a team of accidental warriors into the night.