After the death of Salvatore in a car accident, his beautiful wife Catherine is preparing to collect the enormous legacy but, because the deceased did not make a will and when he was alive was sterile, his wife’s legacy will benefit only if, within three hundred days established by law, she will give birth to a son.
Edwige Fenech
Caterina Prevosti
Carlo Giuffrè
Barone Carlo Niscemi
Didi Perego
Francesca, madre di Caterina
Guido Leontini
Tano Santenocito
Pino Ferrara
Nicolino Santenocito
Franco Ressel
l'avvocato di Caterina
Mario Maranzana
Salvatore Santenocito, marito di Caterina
Enzo Andronico
il notaio
Fortunato Cecilia
il domestico (as Renato Cecilia)
After the death of Salvatore in a car accident, his beautiful wife Catherine is preparing to collect the enormous legacy but, because the deceased did not make a will and when he was alive was sterile, his wife’s legacy will benefit only if, within three hundred days established by law, she will give birth to a son.
I've somehow managed to become a kind of connoisseur of 70's Italian sex comedies lately, so trust me when I say this is definitely one of the better ones. It has a GREAT plot: a man is killed in a car accident while rushing home to have sex with his wife. Because he died in testate, his considerable inheritance is to be split among his wife and his eleven no-account brothers. However, the dead man's scheming mother-in-law finds a loophole. If the wife (her daughter) is pregnant, the inheritance is all hers. And since she has 300 days to give birth to the "heir" (do the math there), she can easily make use of a surrogate father (if she hurries) to produce this heir. But where will she ever find a willing surrogate? Well, since the wife is played by the voluptuous Edwige Fenech, THAT is certainly not going to be a problem. In fact, the brothers, many of whom are low-level mafiosi, have to recruit a bunch of goons to keep away the mob of male suitors who want to "console" this "inconsolable widow", but then they even have to worry these virile toughs might themselves prove TOO right for the job. Fenech's character herself goes from a shy, demure woman manipulated by her grasping mother to a more than active participant in the scheme, justifying herself all the way in hilarious monologues with her dead husbands photograph (which keeps changing expressions). Fenech here shows why she was the reigning queen of 70's sex comedies. Even with the usual bad English dubbing, she delivers a very funny performance that would be worthwhile even if she didn't take her clothes off (but, of course, she DOES take her clothes off too). Fenech managed to work with pretty much all the 70's Italian sex comedy directors from the best (Sergio Martino, Lucio Fulci) to the relative hacks (Michele Massimo Tarantini). The director of this one, Mario Laurenti, with whom Fenech also made "Ubalda, All Naked and Warm", "Vice in the Family", and "Schoolteacher in a Boy's College" among others, was kind of in the middle of the pack, but he definitely does an adequate job here. But it would have been hard for any director to screw this up with such a great concept and such sexy AND genuinely talented leading lady. I can even pay this the ultimate compliment for an Italian sex romp and say that it would have been entertaining comedy even WITHOUT the sex. (I know--the mind boggles). Recommended.
Ferdinando Cefalù is desperate to marry his cousin, Angela, but he is married to Rosalia and divorce is illegal in Italy. To get around the law, he tries to trick his wife into having an affair so he can catch her and murder her, as he knows he would be given a light sentence for killing an adulterous woman. He persuades a painter to lure his wife into an affair, but Rosalia proves to be more faithful than he expected.
Antonio goes to Rome to represent his fellow peasants, to request a highway that will be built in their region. But the guy is mastered by 'la dolce vita' and wastes the money entrusted to him for his mission. When Peppino is sent to to find out what happened, he lets himself be trapped by the gentle grip of 'la dolce vita'
Antonio and Peppino live in a small town in central Italy: Peppino is the barber, Totò is maintained by the rich but avaricious wife Teresa.
A suburban American woman inherits her grandfather’s Mafia empire and, guided by the Firm’s trusted consigliere, defies everyone’s expectations, including her own, as the new head of the family business.
When Marino goes to Rome for an event, he certainly does not imagine meeting Marisa, who will become the love of his life. But once love is found, it is a matter of spreading it and here the difficulties begin: first the father who opposes it; then, after the death of his father, the gossips who make Marino believe that Marisa was a little good, so much so that Marisa runs away. Repentant, Marino searches in vain and then, almost by accident, finds her again, Mrs. Ciceri. But love admits no obstacles, not even that of a deaf and dumb husband.
Good hearted but not very wordly-wise, Dante is happy driving the school bus for a group of mentally handicapped children, while feeling he is somehow missing out on life and love. So he is very excited when after nearly being knocked down by her car he meets Maria, who seems immediately enamoured of him. He is soon invited to her sumptuous Palermo villa, little suspecting that this is part of a plot. He bears an amazing likeness to Maria's stool-pigeon gangster husband and it would be convenient for them if the mobster, in the shape of Dante, was seen to be dead and buried.
The Posalaquaglia cousins are two small scammers and make a living of expedients: Dante receives as recognition for Tommaso a bill of one hundred thousand lire from the famous financier Bruscatelli, who ends up in prison immediately afterwards.
A beautiful girl Rosina lives In Rome. Her husband is strong as a bull and jealous as Shakespeare's Othello. Once the husband of Rosina kills a wealthy aristocrat, who sang the serenade to his wife, and now he is hiding from justice.
An anthology presents three storylines, all set in the Italian town of Treviso: A husband pretends to be impotent as a cover for having an affair; a bank clerk abandons his wife for his mistress, but the rest of the town's husbands become jealous and unite to conspire against them; and local men all seduce a promiscuous young woman, but when her father eventually reveals that she is underage, they all face prosecution for statutory rape.
Italy, mid '60s. Three guys from a poor neighbourhood try to get rich by printing fake money using the fact that one of them works as a typographer. The story unravels around their embarrassed efforts to spend the money, their little family issues and ends with a surprise.