Se non avessi l'amore
The film covers the last year of Pier Giorgio Frassati life, son of the family that owned the newspaper La Stampa, who lived between 1901 and 1925 and was beatified in 1990.
The film covers the last year of Pier Giorgio Frassati life, son of the family that owned the newspaper La Stampa, who lived between 1901 and 1925 and was beatified in 1990.
Antonio Sabàto Jr.
Piergiorgio Frassati
Cinzia de Ponti
Laura
Sandro Dori
Il Biglia
Domenico Fortunato
Franco Interlenghi
Padre Robotti
Marcello Mandò
Monzeglio
Ovidio Martucci
Pier Luigi Misasi
Busseti
Giacomo Piperno
Alfredo Frassati
The film covers the last year of Pier Giorgio Frassati life, son of the family that owned the newspaper La Stampa, who lived between 1901 and 1925 and was beatified in 1990.
The last years of Bettino Craxi, one of the most important and controversial italian leader of the 1980's.
The warmhearted story of Polish immigrant and mathematician Stan Ulam, who moved to the U.S. in the 1930s. Stan deals with the difficult losses of family and friends all while helping to create the hydrogen bomb and the first computer.
Rome. The 1980s. After the magnum opus The Art of Joy she has been working on for a decade is rejected by the Italian publishing world, writer Goliarda Sapienza commits a desperate theft that costs her her reputation and social position. Incarcerated in Italy’s largest female prison, she finds herself living alongside thieves, junkies, sex workers and revolutionaries. After her release, she continues to meet with these women and over the course of a sweltering summer, a life-changing relationship flowers – a relationship that will reawaken her the desire to live and to write.
Enrico Mattei helped change Italy’s future, first as freedom-fighter against the Nazis, then as an investor in methane gas through a public company, A.G.I.P., and ultimately as the head of ENI, a state body formed for the development of oil resources. On October 27, 1962, he died when his private airplane crashed during a flight to Milan. Officially, it is declared an accident, but many journalists explore other plausible reasons for Mattei's untimely death.
At the tense 1938 Munich Conference, former friends who now work for opposing governments become reluctant spies racing to expose a Nazi secret.
In the years between WWI and the rise of Fascism, legendary thespian Eleonora Duse shocks everyone by getting back onstage at over 60 years of age. Struggling with the brutality of historical events unfolding and clinging to the possibility of utopia, she makes her art a revolutionary act, even at the cost of sacrificing health and affection—facing her final journey aware she could give up life itself, but not her own true nature.
In a series of simple and joyous vignettes, director Roberto Rossellini and co-writer Federico Fellini lovingly convey the universal teachings of the People’s Saint: humility, compassion, faith, and sacrifice. Gorgeously photographed to evoke the medieval paintings of Saint Francis’s time, and cast with monks from the Nocera Inferiore Monastery, The Flowers of St. Francis is a timeless and moving portrait of the search for spiritual enlightenment.
Young women toiling in a factory are exposed to hazardous material which takes a disastrous toll on their health.
The story of the descent into madness of Mussolini's secret first wife, Ida Dasler, who was seduced by his passion and vigor but blind to the fascist dictator's many flaws.
Stephen Glass is a staff writer for the respected current events and policy magazine The New Republic and a freelance feature writer for publications such as Rolling Stone, Harper's and George. By the mid-90s, Glass' articles had turned him into one of the most sought-after young journalists in Washington, but a bizarre chain of events - chronicled in Buzz Bissinger's September 1998 Vanity Fair article - suddenly stopped his career in its tracks.