Une héritière qui n'arrive pas à hériter, un radin qui ne peut rien dépenser, un petit garçon qui trouve un billet dans la rue, un restaurateur prodigue qui ne fait que donner... Tels sont, entre autres, les personnages de ce film "choral". Pourquoi certains dépensent-ils de manière convulsive là où d'autres retiennent l'argent comme la partie la plus vitale de leur être ? On croit parler d'argent, mais c'est d'amour dont il s'agit.
Fabrice Luchini
Brett
Vincent Lindon
Coway
Géraldine Pailhas
Helena
Lorànt Deutsch
Patrick
Isild Le Besco
Laurence
Claude Rich
Maurice
Camille Japy
Milène
Michel Vuillermoz
The banker
Bernard Bloch
Richet, the bailiff
Une héritière qui n'arrive pas à hériter, un radin qui ne peut rien dépenser, un petit garçon qui trouve un billet dans la rue, un restaurateur prodigue qui ne fait que donner... Tels sont, entre autres, les personnages de ce film "choral". Pourquoi certains dépensent-ils de manière convulsive là où d'autres retiennent l'argent comme la partie la plus vitale de leur être ? On croit parler d'argent, mais c'est d'amour dont il s'agit.
A modern retelling of Shakespeare's classic comedy about two pairs of lovers with different takes on romance and a way with words.
Fred, Achille, Max and Belette form a good-for-nothing gang of crooks. Dismally failing their last raid, they decide to get back in the game, kidnapping Sophie Marceau.
Valentin D is a hot designer architect who claims to be an orphan because he is too ashamed to admit he is the son of working-class scrap metal merchants from the north of France.
Compulsive spenders Albert and Bruno are in debt up to their necks. While seeking help from community workers to get their lives back on track, they run into a group of young green activists. Lured by the free beer and snacks rather than by the ideals of eco-activists, Albert and Bruno find themselves joining the movement without much conviction.
To inherit his uncle's hotel and restaurant, a naive and simple man must pass his primary school exam.
Laurel and Hardy join the army. They are hardly soldiers, but they believe their employer, (Dick Nelson) will need them now he's drafted.
Paris, in the early 1960s. Jean-Louis Joubert is a serious but uptight stockbroker, married to Suzanne, a starchy class-conscious woman and father of two arrogant teenage boys, currently in a boarding school. The affluent man lives a steady yet boring life. At least until, due to fortuitous circumstances, Maria, the charming new maid at the service of Jean-Louis' family, makes him discover the servants' quarter on the sixth floor of the luxury building he owns and lives in. There live a crowd of lively Spanish maids who will help Jean-Louis to open to a new civilization and a new approach of life. In their company - and more precisely in the company of beautiful Maria - Jean-Louis will gradually become another man, a better man.
Isa, Alice, Léa and Nina, linked by their Sephardic families as much as by their friendship, share their lives between love affairs, a beauty institute under fiscal control, children to raise, an undocumented Moroccan nanny to marry, repeated diets, family and religious holidays to honor, but before being beautiful, their biggest challenge is to be themselves.
An obsessive fantasy nerd gradually becomes unhinged when a charismatic hipster joins his role-playing game.
How to become a man when your mother and your closed circle have decided otherwise? This is the challenge Guillaume took up. The film recounts Guillaume's tragicomic battle from the young age of eight, as he adopts the role of a girl then of a homosexual... until, aged 30, he meets the woman who, after his mother, will become the other woman in his life. Beyond this story of a heterosexual coming-out, the film tells the tale of an actor who never stopped loving women, maybe even a little too much.