The Hoaxters
"The Inside Story of the World's Greatest Fraud!"
A 1952 American documentary film written by Herman Hoffman, about the threat posed by communism to the American way of life.
"The Inside Story of the World's Greatest Fraud!"
A 1952 American documentary film written by Herman Hoffman, about the threat posed by communism to the American way of life.
Marilyn Erskine
Narrator (voice)
Howard Keel
Narrator (voice)
George Murphy
Narrator (voice)
Walter Pidgeon
Narrator (voice)
Dore Schary
Narrator (voice)
Barry Sullivan
Narrator (voice)
Robert Taylor
Narrator (voice)
James Whitmore
Narrator (voice)
A 1952 American documentary film written by Herman Hoffman, about the threat posed by communism to the American way of life.
This might have worked a bit better if they’d engaged a commentator capable of putting his tongue in his cheek a little. They didn’t, so as it is, it is a too earnest and simplistic appraisal of those it dubs the “hoaxters”. Those are the people like Hitler, Mussolini, Lenin and Stalin who promised their populations a much improved lifestyle of opportunity and prosperity - only for those dreams to end in wartime ruin. Meantime, we see an United States basking in the sunlight of it’s open democracy and freedom, powerfully and emphatically, and warning of the dangers to this Elysian existence should the fickle and untrustworthy communists ever make any inroads into society on their side of the Atlantic. That’s all the usual flag-waving fayre, so it’s not especially surprising. What is makes no effort to do, though, is to contextualise just what led to the rise of fascism and totalitarianism in Europe. Given the devastation following the Great War and the political upheavals, unemployment, homelessness and poverty that ensued, surely it was worth trying to explain that when people are desperate, the powers of oratory when coupled with appeals to pride and jingoism are particularly effective amongst many a population at least as well educated as anyone in the US. Obviously intended for internal consumption, it probably had a job to do - but as anything like a dispassionate analysis of just how fanaticism turns into electoral success it falls short taking aim at some easy historically loathed targets and leaves us little better informed that we would be if we had read some opposition newspaper headlines at the time.
Ross McElwee sets out to make a documentary about the lingering effects of General Sherman's march of destruction through the South during the Civil War, but is continually sidetracked by women who come and go in his life, his recurring dreams of nuclear holocaust, and Burt Reynolds.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
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