Aimless Bullet
"Let's get outta here!"
Two brothers—Chul-ho, an accountant with a toothache and a pregnant wife, and Yong-ho, an unemployed ex-soldier wounded in battle—navigate life in post-war Korea.
"Let's get outta here!"
Two brothers—Chul-ho, an accountant with a toothache and a pregnant wife, and Yong-ho, an unemployed ex-soldier wounded in battle—navigate life in post-war Korea.
Kim Jin-kyu
Cheol-ho
Choi Mu-ryong
Yeong-ho
Seo Ae-ja
Myung-sook
Kim Hye-jeong
Miri
No Jae-shin
Mother
Moon Jeong-suk
Wife
Yoon Il-bong
Yu Gye-seon
Madame
Nam Chun-yeok
Old Man
Two brothers—Chul-ho, an accountant with a toothache and a pregnant wife, and Yong-ho, an unemployed ex-soldier wounded in battle—navigate life in post-war Korea.
I’m struck by how Yoo Hyun-mok fuses Italian Neorealism with a distinctly Korean sense of moral paralysis, creating a portrait of post-war despair that still feels uncomfortably present. The film’s cramped interiors, handheld street scenes, and jarring cuts trap the viewer inside the same psychological claustrophobia that consumes its characters. Rather than depicting dramatic collapse, Obaltan shows a slow erosion—lives quietly worn down by debt, trauma, and a social order struggling to rebuild on spiritual ruins. Its bleakness isn’t decorative; it functions as a diagnosis, an autopsy of a society trying to move forward while still bleeding internally. What fascinates me is how the aesthetic mix of documentary immediacy and expressionist anxiety makes even brief moments of hope feel intrusive, almost inappropriate.
The oldest son of a loving and strong family of black sharecroppers comes of age in the Depression-era South after his father is imprisoned for stealing food.
Alex is an 11-year old boy who, during WWII, hides in the Jewish ghetto from Nazis after all his relatives have been sent to the concentration camp. The movie portrays the ghetto through his eyes.
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When lapsed Jew and former cardiologist Harry suddenly decides to spend his retirement as a pig farmer in Nazareth, Israel, the move deeply shocks his family and his new neighbours. Back in New York, Harry’s ex-wife Monica is trying to manage the lives of their adult children, Annabelle and David, as well as her own.
Middle-aged widow Beatrice Hunsdorfer and her daughters Ruth and Matilda are struggling to survive in a society they barely understand. Beatrice dreams of opening an elegant tea room but does not have the wherewithal to achieve her lofty goal. Epileptic Ruth is a rebellious adolescent, while shy but highly intelligent and idealistic Matilda seeks solace in her pets and school projects, including one designed to show how small amounts of radium affect marigolds.
Maggie has had four children, by four different fathers, removed by social services because of a previous violent relationship. When she meets Jorge, a gentle Latin American refugee, she gradually sees her chance for happiness, but her history still haunts her.
A young man with a bright future suffers a near-fatal accident and recreates his new life with the help of an unlikely animal friend.
Based on the true story of a black girl who was born to two white Afrikaner parents in South Africa during the apartheid era.
A young girl is raised in a dysfunctional family constantly on the run from the FBI. Living in poverty, she comes of age guided by her drunkard, ingenious father who distracts her with magical stories to keep her mind off the family's dire state, and her selfish, nonconformist mother who has no intention of raising a family, along with her younger brother and sister, and her other older sister. Together, they fend for each other as they mature in an unorthodox journey that is their family life.
The commandant of Auschwitz, Rudolf Höss, and his wife Hedwig, strive to build a dream life for their family in a house and garden next to the camp.