The Phantom of the Opera
"The greatest horror film of modern cinema!"
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
"The greatest horror film of modern cinema!"
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
Lon Chaney
Erik, The Phantom
Norman Kerry
Vicomte Raoul de Chagny
Mary Philbin
Christine Daaé
Arthur Edmund Carewe
Ledoux
Gibson Gowland
Simon Buquet
Snitz Edwards
Florine Papillon
John St. Polis
Comte Philip de Chagny
Virginia Pearson
Carlotta
Olive Ann Alcorn
La Sorelli (uncredited)
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
When then famed Paris Opera finds new owners, they are full of enthusiasm for their star "Carlotta" (Mary Fabian) whom they know will wow the audiences. Both she and they, though, get a letter informing them that should she take the stage instead of her understudy "Christine" (Mary Philbin) then they'll all rue the day. Nobody pays a blind bit of notice and, well, the audience really do bring the house down! Using the enchantment of his voice, and promises of success, the "Phantom" (Lon Chaney) manages to lure the young "Christine" to his lair some five floors beneath the stage where he declares his undying love. She's more interested in the mask that he's wearing, and upon it's removal is abhorred. She begs to go free and he agrees - provided she spurns her lover "Raoul" (Norman Kerry). She does quite the opposite however and that antagonises her admirer to the point where life and limb are threatened and even the opera house itself could end up in smithereens. It all builds to a marvellous climax - a race against time, against flood waters and gunpowder - if "Raoul" is to save his love from their clearly insane nemesis. A lot will spend on the accompanying music here, but if you get a good score then this film really does come alive. The sparing use of colour - especially as Chaney straddles the gargoyle atop the roof of the building, but also during some of the theatrical scenes contrasts well with the rather more drab monochrome scenes. The creative use of light and shadow to create a genuine sense of peril and, at times, even desperation as the story develops is also enthralling to watch. A great story of love and obsession on a big screen with a live pianist - this takes some beating.
A London opera house is haunted by tragic events on its opening night, but when its star is kidnapped, a producer tracks down the Phantom who is intent on seeking his revenge.
A frustrated pianist himself, music journalist Myles Clarkson is thrilled to interview virtuoso Duncan Ely. Duncan, however, is terminally ill and not much interested in Myles until noticing that Myles' hands are ideally suited for piano. Suddenly, he can't get enough of his new friend, and Myles' wife, Paula, becomes suspicious of Duncan's intentions. Her suspicions grow when Duncan dies and Myles mysteriously becomes a virtuoso overnight.
Just one enchanted jewel stands between earth and an army of evil spirits led by the devious ghoul, Phears. With the help of his new girlfriend and ghost pals, Max Doyle races to find the crystal and save the world.
A family moves into a large old mansion in the countryside which seems to have a mysterious and sinister power over its new residents.
The Wind in the Willows: Concise version of Kenneth Grahame's story of the same name. J. Thaddeus Toad, owner of Toad Hall, is prone to fads, such as the newfangled motor car. This desire for the very latest lands him in much trouble with the wrong crowd, and it is up to his friends, Mole, Rat and Badger to save him from himself. - The Legend of Sleepy Hollow: Retelling of Washington Irving's story set in a tiny New England town. Ichabod Crane, the new schoolmaster, falls for the town beauty, Katrina Van Tassel, and the town Bully Brom Bones decides that he is a little too successful and needs "convincing" that Katrina is not for him.
Based on the successful book series by R.L. Stine, this spooky tale finds 11-year-old Max making a deal with the ghosts who haunt his home. If Max helps them find what was responsible for their parents' disappearance, they'll help him transform from a social nobody to the most popular kid in school.
In 19th century Paris, a maniac abducts young women and injects them with ape blood in an attempt to prove ape-human kinship but constantly meets failure as the abducted women die.
Mary Henry ends up the sole survivor of a fatal car accident through mysterious circumstances. Trying to put the incident behind her, she moves to Utah and takes a job as a church organist. But her fresh start is interrupted by visions of a fiendish man. As the visions begin to occur more frequently, Mary finds herself drawn to the deserted carnival on the outskirts of town. The strangely alluring carnival may hold the secret to her tragic past.
It took Peggy Heller a long time to recover from the trauma of a brutal physical assault, suffered in her youth. When she married Robert, he provided her with the love and reassurance she craved for and the two settled down in a pretty house in the grounds of the public school where Robert was a master. But the headmaster of the school is not what he seems and Peggy is convinced he means to harm her - is her fear a figment of her tortured imagination or are there forces at work that intend to manipulate her anxieties with fatal consequences?
A child conceived by a mute servant girl transforms from an innocent youth to a killer beast at night with uncontrollable urges.