Plan for Destruction is a 1943 American short propaganda film directed by Edward Cahn. It looks at the Geopolitik ideas of the ex-World War I professor, General Karl Haushofer, who is portrayed as the head of a huge organization for gathering information of strategic value and the mastermind behind Adolf Hitler's wars and plans to enslave the world. The film was nominated for an Academy Award for Best Documentary Short.
Lewis Stone
Commentator
Frank Reicher
Karl Ernst Haushofer
George Lynn
Rudolf Hess
Frederick Giermann
Nazi Radio Announcer
Plan for Destruction is a 1943 American short propaganda film directed by Edward Cahn. It looks at the Geopolitik ideas of the ex-World War I professor, General Karl Haushofer, who is portrayed as the head of a huge organization for gathering information of strategic value and the mastermind behind Adolf Hitler's wars and plans to enslave the world. The film was nominated for an Academy Award for Best Documentary Short.
I didn’t love Lewis Stone’s narration here, not least because he kept referring to Britain/British and England/English which always strikes me as lazy writing. That said, though, it’s still quite an interesting assessment of the forward-planning skills of former Imperial general Karl Haushofer (Frank Reicher). Following his defeat in the Great War he took up an academic position that not only facilitated his planning for the future domination of the world by a revitalised Germany but that also provided him with lots of fertile young and impressionable minds to indoctrinate. His former assistant Rudolph Hess (George Lynn) suggests to him that he meet a prisoner with a small moustache and the rest is history. It mixes some dramatic elements with some news actuality to deliver to American audiences an idea of just how meticulously the Nazis had planned their “Politik” agenda and at how this could all too readily impact on the USA, however geographically detached the maps might suggest it is. There is a positive message for the audience here suggesting that by uniting against the Axis powers, there are some sunlit uplands ahead - but there is more work to be done.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
Produced and presented as evidence at the Nuremberg war crimes trial of Hermann Göring and twenty other Nazi leaders, this film consists primarily of dead and surviving prisoners and of facilities used to kill and torture during the World War II.
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.
WWII from Space delivers World War II in a way you've never experienced it before. This HISTORY special uses an all-seeing CGI eye that offers a satellite view of the conflict, allowing you to experience it in a way that puts key events and tipping points in a global perspective. By re-creating groundbreaking moments that could never have been captured on camera, and by illustrating the importance of simultaneity and the hidden effects of crucial incidents, HISTORY presents the war's monumental moments in a never-before-seen context. And with new information brought to the forefront, you'll better understand how a nation ranked 19th in the world's militaries in 1939 emerged six years later as the planet's only atomic superpower.
A documentary examining possible historical and modern conspiracies surrounding Christianity, the 9/11 terrorist attacks, and the Federal Reserve bank.
Louis Theroux travels to California to meet the man dubbed "the most dangerous racist in America"; Tom Metzger. Louis meets him, his family and his publicity manager as well as following him to skinhead rallies and on a visit to Mexico.
This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans. Preserved by the Academy Film Archive in 2005.
The history of cinematic sound, told by legendary sound designers and visionary filmmakers.
Set both in Latin America and the United States, the film explores the historic and current relationship of Washington with countries such as Venezuela, Bolivia and Chile. Pilger says that the film "...tells a universal story... analysing and revealing, through vivid testimony, the story of great power behind its venerable myths. It allows us to understand the true nature of the so-called "war on terror". According to Pilger, the film’s message is that the greed and power of empire is not invincible and that people power is always the "seed beneath the snow".
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.