In Paris, Bob Montagne is practically synonymous with gambling -- and winning. He is kind, classy and well-liked by virtually everyone in town, including police inspector Ledru. However, when Bob's luck turns sour, he begins to lose friends and makes the most desperate gamble of his life: to rob the Deauville casino during Grand Prix weekend, when the vaults are full. Unfortunately, Bob soon learns that the game is rigged and the cops are on to him.
Roger Duchesne
Robert 'Bob le Flambeur' Montagné
Isabelle Corey
Anne
Daniel Cauchy
Paulo
Gérard Buhr
Marc
Guy Decomble
Police Commissary Ledru
Claude Cerval
Jean, the Croupier
Howard Vernon
McKimmie, the Sponsor
Colette Fleury
Suzanne, Jean's Girlfriend
Simone Paris
Yvonne
In Paris, Bob Montagne is practically synonymous with gambling -- and winning. He is kind, classy and well-liked by virtually everyone in town, including police inspector Ledru. However, when Bob's luck turns sour, he begins to lose friends and makes the most desperate gamble of his life: to rob the Deauville casino during Grand Prix weekend, when the vaults are full. Unfortunately, Bob soon learns that the game is rigged and the cops are on to him.
A quintessential film noir from the Godfather of the French Nouvelle Vague, which, through the life of a high-class gambler, uniquely transports us to the nightlife of Montmartre in the 50s. Jean-Pierre Melville paves the way for the arrival of the French New Wave at the end of the same decade with the use of jump cuts, natural lighting, and handheld camera work. What he masterfully achieves, however, is to convey the entire atmosphere of post-war Montmartre to the big screen, which at that time was a hub for gamblers, prostitutes, petty criminals, and jazz musicians, in stark contrast to its current touristy image. The camera follows Bob through narrow alleys filled with cabarets, bistros, cheap hotels, and old residences, with the only landmark of virtue and tranquility being the Basilica of Sacré-Cœur, which looms majestically in the background of the scenes that take us to the gambler Bob's apartment. A pathological gambler with moral values who does not hesitate to set aside his personal gain, even in love, when he recognizes something pure within the sinful nightlife of Montmartre. A cynical anti-hero who, even when he veers back towards criminality, does so not merely for the easy wealth he hopes for, but primarily for the thrill of this enormous bet, the largest he has ever placed in his life. A bet with tragic consequences, mainly for others. Bob, like Melville, has experienced it all. He is no longer afraid of prison or death. He is content to spend his days languidly, allowing his passion to destroy him. Parallel lives with the film's director, who had one passion throughout his life: to make films. And he did, from the age of 6. The only thing that interrupted him was World War II, during which he joined the French Resistance and fought the Nazis until the end. As soon as the war was over, he returned to his passion, which he pursued relentlessly until death stopped him. He directed 13 films and died at the young age of 55, while writing the script for his 14th film, leaving behind a unique cinematic legacy. Originally posted on The Film Project: https://thefilmproject.org/movie/Bob%20le%20Flambeur%20(1956)#review-bdd5a646-6340-448a-a2f6-16fe0d453fae
An aging gambler on a losing streak attempts to rob a casino in Monte Carlo. But someone's already tipped off the cops before he even makes a move.
Gamblers who "took" an out-of-town sucker in a crooked poker game feel shadowy vengeance closing in on them.
After carrying out a flawlessly planned hit, Jef Costello, a contract killer with samurai instincts, finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him.
One of the members of a gang of thieves commits a serious mistake that force them to work for a ruthless gang of drug dealers, endangering the future of the team, their lives and those of their families.
Franck Chaievski and Nina Delgado are two undercover detectives of a French special force trying to identify two corrupts members of the Paris Police Force. Franck is pretending to be a gangster and Nina a prostitute living with him, and involved in a robbery of a fortune in diamonds, having seven deaths and some injured persons.
A pair of kidnappings expose the complex power dynamics within the corrupt and unpredictable workings of 1930s Kansas City.
Philippe Jordan is a policeman prone to advancing the cause of justice by any means necessary. On his agenda is a powerful drug cartel working out of Paris and Marseilles, with a drug lord who is essentially inaccessible -- but not immortal.
After growing up in a poor gypsy camp, Edmond Vidal, aka Momon, has retained a sense of family, unfailing loyalty and pride in his origins. Most of all, he has remained friends with Serge Suttel, with whom he first discovered prison life - for stealing cherries. The two of them inevitably got involved in organized crime. The team they formed, the Ganf Des Lyonnais, made them the most notorious armed robbers of the early 1970s. Their irresistible rise ended in 1974 with a spectacular arrest. Today, as he nears 60, Momon would like to forget that part of his life. He has found peace by retiring from the "business". He tends to his wife Janou, who suffered so in the past, and to his children and grandchildren, all of whom have great respect for this man of simple and universal values, so clear-headed and full of kindness. But then Serge Suttel, who has disowned nothing of his past, comes back into the picture.
Henri, the Man from Nantes, comes back to his country after a successful stay in the United States, where he was working for Liski, the drug dealer. With the fame of being a tough guy preceding him, he sets himself to the task of knowing why the French operations were not so profitable - and soon he is master of all links of the organization. He can now get it honed to perfection - or destroy it. Only... the Police are following his every step.
In the depression, Chaney, a strong silent streetfighter, joins with Speed, a promoter of no-holds-barred street boxing bouts. They go to New Orleans where Speed borrows money to set up fights for Chaney, but Speed gambles away any winnings.