"A STRANGER IN TOWN...WHERE STRANGERS WEREN'T WELCOME!...and he found out a gal double-crossed is Deadly as Poison!"
When two US cavalrymen transporting a gold shipment get killed, US Army Intelligence investigator John Haven goes undercover to a mining and logging town to find the killers.
Dick Powell
Lt. John Martin Haven
Jane Greer
Charlie
Agnes Moorehead
Mrs. Mary Caslon
Tom Powers
Captain George Iles
Gordon Oliver
Prince
Steve Brodie
Lt. Stellman
Guinn 'Big Boy' Williams
Mick Marion
Raymond Burr
Lawyer Mark Bristow
Regis Toomey
Jim Goddard
When two US cavalrymen transporting a gold shipment get killed, US Army Intelligence investigator John Haven goes undercover to a mining and logging town to find the killers.
A Stranger in Rock Pass. Station West is directed by Sidney Lanfield and adapted to screenplay by Frank Fenton and Winston Miller from the novel written by Luke Short. It stars Dick Powell, Jane Greer, Agnes Moorehead, Raymond Burr, Tom Powers, Guinn Williams, Gordon Oliver and Burl Ives. Music is by Heinz Roemheld and cinematography by Harry J. Wild. Powell plays an undercover army agent sent into Rock Pass to find out who robbed and murdered two soldiers who were guarding a gold shipment. There has always – and always will be – debates about what constitutes film noir, but undoubtedly it is a line of film making that positively thrives on a style that cloaks a number of characterisations. Thus we have the many off-shoots of film noir, such as the Noir Western. Noir Westerns in all actuality don’t number more than 20, and even some of those that get put forward are tenuous additions. Where the likes of Pursued, Ramrod and Blood on the Moon are confidently held up as the leading lights of Noir Westerns, it actually pays to look towards a rarer picture like Raton Pass or this here under seen treasure, Station West, for unseen sub-noir rewards. Station West has it all so as to earn its noir badge. It’s got Powell doing a Western version of Phillip Marlowe, complete with swagger, sarcasm and the ability to nonchalantly smile in the face of peril. Then there’s Greer, fresh from Out of the Past the previous year, Greer is in full tilt femme fatale mode, marrying up her hard beauty with feminist strength. Both Powell and Greer are wonderful, their respective characters constantly jostling for domination, trading quips and glib asides, the sexual tension consistently palpable. The town of Rock Pass is in the process of booming, but with that comes corruption, and it is rife, with unlikely sources pulling the crooked strings. Greed and betrayal are words that hover over the intelligent screenplay, even as the script snaps with delightful one liners and sarcastic wit, there’s a moody ambiance snuggling on up with the fun side of things, these bed fellows are meant to be. While the man himself, Haven (Powell), has a reputation for not towing the party line, he’s clearly in the right place then! Filmed out of beautiful Sedona in Arizona, Harry Wild’s photography is gorgeous for the exterior locations (those rock formations are just visual orgasms), and film noir nirvana for everything else as he brings expressionistic touches to all the key sequences. In the support acting ranks we have Burr as a twitchy lawyer, Moorehead as a stoic wealthy widow, Williams as bad boy muscle, Oliver as the smarm, Powers as the grumpy un-cooperative army captain and Ives as a hotel clerk – cum – balladeer who has a morbid hobby on the side. All of them contribute good characterisations. I can’t say that Roemheld’s score is particularly memorable, and a big fist-fight between Williams and Powell is ferocious but tainted by the over dramatics that were indicative of the time, but from begining to sombre end this is a cracker and it deserves to be better known and loved. 9/10
Jim Douglass arrives in the small town of Rio Arriba in order to witness the hanging of the four men he believes murdered his wife. When the convicts escape, Jim tracks them into Mexico, determined to see that justice is done. But the farther Jim goes in his quest for vengeance, the more merciless he becomes, losing himself in an unrelenting spiral of hatred and violence.
Three outlaws come to the aid of a young girl after her father is killed.
Questions arise when Senator Stoddard attends the funeral of a local man named Tom Doniphon in a small Western town. Flashing back, we learn Doniphon saved Stoddard, then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance. As the territory's safety hung in the balance, Doniphon and Stoddard, two of the only people standing up to him, proved to be very important, but different, foes to Valance.
A cattle-vs.-sheepman feud loses Connie Dickason her fiance, but gains her his ranch, which she determines to run alone in opposition to Frank Ivey, "boss" of the valley, whom her father Ben wanted her to marry. She hires recovering alcoholic Dave Nash as foreman and a crew of Ivey's enemies. Ivey fights back with violence and destruction, but Dave is determined to counter him legally... a feeling not shared by his associates. Connie's boast that, as a woman, she doesn't need guns proves justified, but plenty of gunplay results.
An itinerant farmer and his young son help a heart-of-gold saloon singer search for her estranged husband.
Texas Ranger Jake Cutter arrests gambler Paul Regret, but soon finds himself teamed with his prisoner in an undercover effort to defeat a band of renegade arms merchants and thieves known as Comancheros.
A gunfighter and a cowboy help a Mexican girl avenge the land-related murder of her parents.
When Rocklin arrives in a western town he finds that the rancher who hired him as a foreman has been murdered. He is out to solve the murder and thwart the scheming to take the ranch from its rightful owner.
A woman seeking revenge for her murdered father hires a famous gunman, but he's very different from what she expects.
Nevada Smith is the young son of an Indian American mother and European-American father. When his father is killed by three men over gold, Nevada sets out to find them and kill them. The boy is taken in by a gun merchant. The gun merchant shows him how to shoot and to shoot on time and correct.