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Meet Mr. Lucifer

"A Devil-May-Care Joker From Ealing Studios"

A TV set given as a retirement present is sold on to different households causing misery each time.

Top Cast

  • Stanley Holloway

    Stanley Holloway

    Sam Hollingsworth / Mr Lucifer

  • Peggy Cummins

    Peggy Cummins

    Kitty Norton

  • Jack Watling

    Jack Watling

    Jim Norton

  • Kay Kendall

    Kay Kendall

    Lonely Hearts Singer

  • Ian Carmichael

    Ian Carmichael

    Man Friday

  • Joan Sims

    Joan Sims

    Fairy Queen

  • Gordon Jackson

    Gordon Jackson

    Hector

  • Dandy Nichols

    Dandy Nichols

    Mrs. Clarke

  • Ernest Thesiger

    Ernest Thesiger

    Mr. Macdonald

Overview

A TV set given as a retirement present is sold on to different households causing misery each time.

Rating

5.2 / 10
17 Reviews
0 Popular

1 Reviews

  • John Chard
    John Chard
    4 Dec 27, 2016

    The Devil's Goggle Box. Meet Mr. Lucifer is directed by Anthony Pelissier and adapted to screenplay by Monja Danischewsky from Arnold Ridley's (later to play private Godfrey in the long running situation comedy) Dad's Army) play (Beggar My Neighbour). It stars Stanley Holloway, Peggy Cummins, Jack Watling, Barbara Murray, Joseph Tomelty, Humphrey Lestocq and Gordon Jackson. Music is by Eric Rogers and cinematography by Desmond Dickinson. Out of Ealing Studios, Meet Mr. Lucifer is one of that great studio's lesser lights. Homing in on a sort of fear of the new home entertainment of the 50s, that of the TV set, plot features a television set that moves from owner to owner and causes nothing but trouble for said owners. This of course is the work of Old Nick himself, here essayed with a glint in his eye by Holloway. Sadly the attempts at satire miss the mark, leaving us with a somewhat uneven mix of comedy and seriousness. On the plus side it opens the eyes to the iffy quality on the TV in the early 50s, while there's a roll call of fine British actors in the supporting (cameo) slots. Interestingly the Ealing hierarchy were very wary of the themes at the core of the picture, which explains why Pelissier was fetched in to direct. Knowing they themselves were uncommitted to the production goes some way to explaining the flat feel to it all. 5/10

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