"In space no one can hear you scream."
During its return to the earth, commercial spaceship Nostromo intercepts a distress signal from a distant planet. When a three-member team of the crew discovers a chamber containing thousands of eggs on the planet, a creature inside one of the eggs attacks an explorer. The entire crew is unaware of the impending nightmare set to descend upon them when the alien parasite planted inside its unfortunate host is birthed.
Tom Skerritt
Dallas
Sigourney Weaver
Ripley
Veronica Cartwright
Lambert
Harry Dean Stanton
Brett
John Hurt
Kane
Ian Holm
Ash
Yaphet Kotto
Parker
Bolaji Badejo
Alien
Helen Horton
Mother (voice)
During its return to the earth, commercial spaceship Nostromo intercepts a distress signal from a distant planet. When a three-member team of the crew discovers a chamber containing thousands of eggs on the planet, a creature inside one of the eggs attacks an explorer. The entire crew is unaware of the impending nightmare set to descend upon them when the alien parasite planted inside its unfortunate host is birthed.
Horror in Space, that's what this is. It's a space monster movie, and the thing is, if you see Aliens, or most of the other Alien related films BEFORE you see this one, you're going to be expecting something completely different. But what you have is a horror movie set on a space ship with an atmosphere so thick that you could cut it with a knife. You can taste the eerie tension when you watch it...and, at least in my eyes, that makes it better than the over-the-top Space Marines that you see in the later installments. And, no questions are answered. There is no broad sweeping mythology. There is only the movie, there is only the monster, there is only the fear and tension. But that is all the movie needs. It's just science-fiction and scary. It's a brilliant merger. But, don't listen to the people making it out to be more than it is. It's really ONLY a horror movie in space and nothing more. That doesn't make it any less enjoyable, but it does make it completely confusing when you read reviews that make it out to be more than an exceptional monster movie.
**One of the great founders of modern sci-fi.** Anyone who knows me already knows that I don't really like alien-themed movies, because I don't strictly believe in intelligent life outside our planet. However, the theme has already yielded many quality horror or thriller films. “Alien” is arguably the best, best-performed, and most enshrined and culturally significant of them all. It's one of those films that has already gone beyond cinematic issues to become a piece of art and culture that we all know, even people who never took the time to see it. Thus, it is not worth wasting time explaining the plot around the “Nostromo”, a cargo ship with seven crew members who are decimated by a highly dangerous and carnivorous alien. The direction, in charge of Ridley Scott, is excellent, meticulous, attentive, and the story is intelligent, very well written and with well-developed and used characters. Contrary to what happens in other films, we see the characters trying to act as a team, and trying to solve an unexpected and dangerous situation. I never felt like they were acting in such a way as to almost purposefully put themselves in danger, which happens a lot in recent horror movies. Sigourney Weaver made an excellent dramatic career after this film, which established her as an actress and opened doors for her in the industry. A deserved reward, given that she puts in her best efforts and gives this character all the resilience, humanity and charisma she deserves and needs. Despite the general quality of the cast being quite good, there are almost no actors capable of matching Weaver. As far as the technical aspects are concerned, the film has excellent cinematography (it even looks newer than it is) and really good special effects and visuals, considering that there is no CGI and that everything is done in the old-fashioned way. Finally, a word of praise for the iconic original score composed by Jerry Goldsmith.
Back in the day before Sir John Hurt took to being little more than a highly paid cameo-man, he was a great actor and here is a prime example. His merchant ship is travelling through space when it receives a distress call. They stop to help and one of their number becomes infected with a... well, now you have to watch it. Sigourney Weaver is superb as the feisty, no-nonsense "Ripley" who leads the defence against a beastie that has brute strength, determination, intelligence and an astonishing ability to move at speed through the corridors and conduits of the ship. Ridley Scott allows the tension to rise gently and violently, by degree, and the clever use of sound and light; Jerry Goldsmith's tense score and excellent supporting performances from Tom Skerritt and a wonderfully seedy ian Holm make this a seminal sci-fi horror film that still makes you want to hide behind the sofa - 40 years on!
The baby xenomorph looks like a muppet.
A masterpiece! Can be rewatched indefinitely!
This is a classic for a reason. It's one of those movies where technical flaws are completely overshadowed by the story and the atmosphere.
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