This large historical production was staged simultaneously with A. Khanzhonkov's painting "The Accession of the House of Romanov", but it was carried out on a larger scale; It ends with documentary footage of the coronation of Nicholas II.
Michael Chekhov
Tsar Mikhail Fyodorovich
Lydia Sycheva
Marfa the nun
Nikolai Vasilyev
Archimandrite Filaret
Sergei Tarasov
Boyar Sheremetyev
Vladimir Popov
Tsar Aleksei Mikhailovich
Pyotr Baksheyev
Prince Pozharsky
Evgeniy Ivanov
Historian Avramiy Palitsyn
Nikolai Larin
Boyar Golitsyn
This large historical production was staged simultaneously with A. Khanzhonkov's painting "The Accession of the House of Romanov", but it was carried out on a larger scale; It ends with documentary footage of the coronation of Nicholas II.
In 16th-century Russia in the grip of chaos, Ivan the Terrible strongly believes he is vested with a holy mission. Believing he can understand and interpret the signs, he sees the Last Judgment approaching. He establishes absolute power, cruelly destroying anyone who gets in his way. During this reign of terror, Philip, the superior of the monastery on the Solovetsky Islands, a great scholar and Ivan's close friend, dares to oppose the sovereign's mystical tyranny. What follows is a clash between two completely opposite visions of the world, smashing morality and justice, God and men. A grand-scale film with excellent leading roles by Mamonov and Yankovsky. An allegory of Stalinist Russia
A Russian military propaganda film about the tank commander Kalashnikov, severely injured in battle in 1941. The accident leaves him incapacitated and unable to return to the front line. While recovering in the hospital, he begins creating the initial sketches of what will become one of the world’s most legendary weapons. A self-taught inventor is only 29 when he develops the now iconic assault riffle — the AK-47. Shot in occupied Crimea.
A WWII veteran escapes his care home in Northern Ireland and embarks on an arduous but inspirational journey to France to attend the 75th anniversary of the D-Day landings, finding the courage to face the ghosts of his past.
Crown Prince Rudolf of Austria clashes with his father, Emperor Franz Joseph I of Austria, over implementing progressive policies for their country. Rudolf soon feels he is a man born at the wrong time in a country that doesn't realize the need for social reform. The Prince of Wales, later to become Britain's King Edward VII, provides comic relief. Rudolf finds refuge from a loveless marriage with Princess Stéphanie by taking a mistress, Baroness Maria Vetsera. Their untimely demise at Mayerling, the imperial family's hunting lodge, is cloaked in mystery.
At the tense 1938 Munich Conference, former friends who now work for opposing governments become reluctant spies racing to expose a Nazi secret.
Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.
Having helped his brother King Edward IV take the throne of England, the jealous hunchback Richard, Duke of Gloucester, plots to seize power for himself. Masterfully deceiving and plotting against nearly everyone in the royal court, including his eventual wife, Lady Anne, and his brother George, Duke of Clarence, Richard orchestrates a bloody rise to power before finding all his gains jeopardized by those he betrayed.
Fr. Hugh O'Flaherty is a Vatican official in 1943-45 who has been hiding downed pilots, escaped prisoners of war, and Italian resistance families. His activities become so large that the Nazis decide to assassinate him the next time he leaves the Vatican.
This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin. Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part. As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government. In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him.
In this sprawling, fictionalized history of the Black Panthers, 1960s Oakland becomes a war zone as the Panthers battle for the right to exist.