"Harry Block wrote a bestseller about his best friends. Now, his best friends are about to become his worst enemies."
Writer Harry Block draws inspiration from people he knows, and from events that happened to him, sometimes causing these people to become alienated from him as a result.
Woody Allen
Harry Block
Judy Davis
Lucy
Kirstie Alley
Joan
Elisabeth Shue
Fay Sexton
Billy Crystal
Larry / The Devil
Bob Balaban
Richard
Hazelle Goodman
Cookie
Eric Lloyd
Hilly
Caroline Aaron
Doris
Writer Harry Block draws inspiration from people he knows, and from events that happened to him, sometimes causing these people to become alienated from him as a result.
The aptly named "Harry Block" (Woody Allen) is a seriously lapsed Jewish writer suffering from constipation of the typewriter. Adding to his woes is a nervousness about an impending honour from his alma mater (from where he was unceremoniously expelled) and the fact that his personal life makes Henry VIII's look like "Bertie and Elizabeth". Of course, "Harry" is seeing a therapist (Robert Harper) and with just a day before his conferment, he realises that his entire shambolic life is a result of his inability to fall in love. He likes women, he likes sex but he doesn't really like commitment, wanting always to treat a relationship like something he can buy in, or return to, Walmart. That's the basis of this story of a flawed individual that using a series of statically directed sit-com style scenarios takes us thorough twenty-four hours in the manic life of the shallow and unlikeable individual. I have never really been a fan of Woody Allen and this did nothing to change that. Granted his writing is quick fired and his observations potent at times, but his sense of humour is just too crass for me. There's nothing at all subtle about it, no cleverness - and the opening scenes of this set a scene for what I thought became increasingly puerile and predictable. A sort of slickly-delivered linguistic slapstick. Vulgar can be fun, but not when it's got some pseudo-intellectual underpinning about cause and effect of an human behaviour that becomes more and more contrived to fit the narrative the auteur wants to deliver. Are the jump cuts just there to divert our attention from the dwindling characterisations and increasing soapy melodrama? He doesn't imbue his character with anything I could care about, and though I did think Judy Davis and a cast of many reliable faces did their best to shore it all up, in the end it's very appropriately titled - it just doesn't happen quite quickly enough.
A neurotic, twice-divorced sci-fi writer moves back in with his mother to solve his personal problems.
In the present, artist Tom Warshaw recalls his traumatic coming of age. As a 13-year-old growing up in New York City in 1973, Tom hangs out with Pappass, a mentally disabled man. With Tom's mother battling depression after the death of her husband, the young boy is left to his own devices. When Tom develops a crush on schoolmate Melissa, Pappass feels abandoned and begins behaving erratically.
Writer Paul Benjamin is nearly hit by a bus when he leaves Auggie Wren's smoke shop. Stranger Rashid Cole saves his life, and soon middle-aged Paul tells homeless Rashid that he wouldn't mind a short-term housemate. Still grieving over his wife's murder, Paul is moved by both Rashid's quest to reconnect with his father and Auggie's discovery that a woman who might be his daughter is about to give birth.
When a bestselling celebrity biographer is no longer able to get published because she has fallen out of step with current tastes, she turns her art form to deception.
Larry Donner, an author with a cruel ex-wife, teaches a writing workshop in which one of his students, Owen, is fed up with his domineering mother. When Owen watches a Hitchcock classic that seems to mirror his own life, he decides to put the movie's plot into action and offers to kill Larry's ex-wife, if Larry promises to murder his mom. Before Larry gets a chance to react to the plan, it seems that Owen has already set things in motion.
Zach Riley is a psychiatrist, who leaves a job at a prestigious university, to take up a job at the privately run mental institution, Millwood. What he doesn't reveal at the time of his appointment is that this was the very place where his novelist father, T.L. Pierson, spent many years of his life.
Scott has been a case of arrested development ever since his firefighter father died when he was seven. He's now reached his mid-20s having achieved little, chasing a dream of becoming a tattoo artist that seems far out of reach. As his ambitious younger sister heads off to college, Scott is still living with his exhausted ER nurse mother and spends his days smoking weed, hanging with the guys — Oscar, Igor and Richie — and secretly hooking up with his childhood friend Kelsey. But when his mother starts dating a loudmouth firefighter named Ray, it sets off a chain of events that will force Scott to grapple with his grief and take his first tentative steps toward moving forward in life.
Desperate for a breakthrough as she nears the big 4-0, struggling New York City playwright Radha finds inspiration by reinventing herself as a rapper.
A struggling writer in the midst of a divorce befriends a retired serial killer who incidentally becomes his marriage counselor by day, and killing counselor for his next book by night.
A cranky, retired author reluctantly embarks on a final book tour to help out a young publisher.