In the beginning of the 20th century, Joosep Toots has returned from Russia, where he learned agriculture. He wants to start reforming his father's farm, Ülesoo. At the same time, he's competing with Kiir to win the love of Teele. Teele has stated that she agrees to marry with a farmer only. So Kiir decides to go to Russia to learn agriculture too.
Aare Laanemets
Joosep Toots
Riina Hein
Teele of Raja
Margus Lepa
Jorh Aadniel Kiir
Arno Liiver
Arno Tali
Ain Lutsepp
Tõnisson
Kaljo Kiisk
Kristjan Lible
Kaarel Karm
Pharmacist
Rein Aedma
Imelik
Kalle Eomois
Kuslap
In the beginning of the 20th century, Joosep Toots has returned from Russia, where he learned agriculture. He wants to start reforming his father's farm, Ülesoo. At the same time, he's competing with Kiir to win the love of Teele. Teele has stated that she agrees to marry with a farmer only. So Kiir decides to go to Russia to learn agriculture too.
'Summer' is better than 'Spring', who knew? I've finally got around to checking out the sequels to that latter 1969/1970 movie, which is an Estonian picture I watched three months (time flies!) ago as part of my 'Around the World in 1261 Days' personal challenge (gonna need to rework that number, failing miserably in getting countries ticked off lately!). I didn't overly like the original, though this inaugural follow-up is good. It's cool to see the actors all grown up compared to their showings as children six years prior, I love that all the key peeps reprised their respective roles (albeit minorly for previous lead Arno Liiver). I found most of them fairly irritating last time out due to them being annoying kids, obviously here there is no such problem - their acting had improved, as one would anticipate of course. I would've liked to have seen more of Liiver's Arno, though to be honest I did enjoy Aare Laanemets as Joosep being front and centre - probably an upgrade, in fairness. Margus Lepa, Riina Hein and Kaarel Karm are the pick of the rest of those onscreen. Unlike with the first flick, no cast member or character would fall under any negative heading for me, which is naturally a positive. Here's hoping I like 'Autumn' and 'Winter' as well, the latter is my favourite time of year so that ought to be a good omen.
Bailey and Darla embark upon a misguided and mutually deceitful form of therapy, one in which they must drive across the country, re-enacting Darla's colorful history as a sex addict. As their true motivations for the road trip come to light, the unlikely pair force one another to confront their issues, discovering that there might actually be more to love than just sex.
Duncan is a genius straight A student, Blade is ajuvenile delinquent. But because of a mix up with their school records, everyone thinks each is the other one. Now, Duncan kind of likes the attention from being thought of as a real bad dude, if only the school bully would stop trying to rough him up. And Blade definitely likes being thought of as important instead of as trouble.
Elijah must balance his dream of becoming a master sommelier with his father's expectations that he carry on the family's Memphis BBQ joint.
Leo and Angela Russo live a simple life in Queens, surrounded by their overbearing Italian-American family. When their son finds success on his high school basketball team, Leo tears the family apart trying to make it happen.
A wheelchair-bound singer and her best friend embark on a roadtrip to Memphis.
A teenager living with her sister and parents in Manhattan during the 1990s discovers that her father is having an affair.
Eric returns home for a short visit and finds himself caught between reuniting with his sisters and chasing a victory with his old poker group. As the trip extends, Eric finds it increasingly difficult to avoid confrontations and revelations as his carefully constructed façade of his adulthood gives way to old childhood conflicts.
The film tells futurist, architect, and inventor R. Buckminster Fuller's incredible story through two teens hoping to get laid, become punk gods, and survive high school.
Jon Katz is close to burnout. He's a writer with writer's block; his wife has left for her sister's because he's emotionally distant; he rarely answers his phone. A kennel sends him a border collie that's undisciplined because of abuse. Despite a series of mishaps, Jon decides to keep trying with the dog, and he rents a dilapidated farm house to give the dog room to run. A local handyman refers Jon to a woman who might be able to help him train the dog. Reluctantly, Jon gives her a try. Is the dog the problem, or the owner?
A group of suburban teenagers try to support each other through the difficult task of becoming adults.