You Don't Bring Me Flowers
Viewed at its seams, a National Geographic slideshow from the 1960s and '70s deforms into a bright white distress signal.
Viewed at its seams, a National Geographic slideshow from the 1960s and '70s deforms into a bright white distress signal.
Viewed at its seams, a National Geographic slideshow from the 1960s and '70s deforms into a bright white distress signal.
Clinging to a smooth, curved surface high above a sentient abyss, a woman tries to cover the few feet back to safety without losing purchase and falling to her death.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Megan Quinn, an aspiring architect, faces multiple tasks – developing her hometown lake into a commercialized entertainment center, forcing Mrs. Frances Figgins, her childhood mentor, out of her family’s home, and helping out at her family café after her father breaks his leg, all while also dealing with the return of her childhood sweetheart, Joe, who broke her heart.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Nine filmmakers each profile a young girl from a different part of the world to weave a global tapestry of youth in the 21st century.
Christopher Robin's bear attempts to raid a beehive in a tall tree.
A woman and her new husband returns to her hometown roots in coastal northern Florida, and must deal with family, business, and encroaching real estate development.
One Life captures unprecedented and beautiful sequences of animal behaviour guaranteed to bring you closer to nature than ever before, as well as a second disc packed full of never before seen extras including an exclusive making of featurette narrated by Daniel Craig.
A look at the global culture and appeal of the LEGO building-block toys.
A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.