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Scared to Death Poster

Scared to Death

"A thrilling mystery of a supernatural killer!"

A woman is married to the son of a doctor, the proprietor of a private sanatorium, where she is under unwilling treatment. Both the son and the doctor indicate they want the marriage dissolved. Arriving at the scene is a mysterious personage identified as the doctor's cousin who formerly was a stage magician in Europe. He is accompanied by a threatening dwarf.

Top Cast

  • Bela Lugosi

    Bela Lugosi

    Prof Leonide

  • George Zucco

    George Zucco

    Dr. Josef Van Ee

  • Nat Pendleton

    Nat Pendleton

    Bill 'Bull' Raymond

  • Molly Lamont

    Molly Lamont

    Laura Van Ee

  • Joyce Compton

    Joyce Compton

    Jane Cornell

  • Gladys Blake

    Gladys Blake

    Lilly Beth

  • Roland Varno

    Roland Varno

    Ward Van Ee

  • Angelo Rossitto

    Angelo Rossitto

    Indigo

  • Douglas Fowley

    Douglas Fowley

    Terry Lee

Overview

A woman is married to the son of a doctor, the proprietor of a private sanatorium, where she is under unwilling treatment. Both the son and the doctor indicate they want the marriage dissolved. Arriving at the scene is a mysterious personage identified as the doctor's cousin who formerly was a stage magician in Europe. He is accompanied by a threatening dwarf.

Rating

4.3 / 10
32 Reviews
0 Popular

1 Reviews

  • CinemaSerf
    CinemaSerf
    4 Jul 7, 2022

    It's only an hour long, but this still manages to involve a couple of the worst performances I've seen in a long, long time. Bela Lugosi and George Zucco - who can normally be relied upon to deliver well enough in these short horror/thriller features are just not on form together at all here. The dialogue is unsure in what genre the film wants to sit - a suspenseful thriller with the odd bit of comedy, or a comedic thriller with the odd, well, thrill. It appears to, reluctantly, settle for the latter but by then the somewhat irrelevant story of a murdered woman who relates the events leading up to the crime no longer really matters. It has way too many daft sub-plots and by the time we do approach the end you've almost forgotten what/who or, more importantly - why?

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