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Germany
8.0 1h 39m

Winterkinder

Was grandpa a Nazi? When director Jens Schanze confronts his mother with her father's past, decades of silence have passed. The information that emerges about grandpa does not fit with the loving father that Jens' mother always talked about. Jens and his four older sisters never met their grandfather; he died in 1954. Jens' mother is in her seventies when her son, born in 1971, starts to poke around in the family history. She agrees to a critical examination of her father. Secrets hidden for over 60 years finally come to light. As they uncover the truth, this perfectly normal family goes through a highly emotional journey. Most shaken is the mother; her story of discovery is at the center of the film.

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Top Cast

  • Jens Schanze

    Jens Schanze

    Self

Overview

Was grandpa a Nazi? When director Jens Schanze confronts his mother with her father's past, decades of silence have passed. The information that emerges about grandpa does not fit with the loving father that Jens' mother always talked about. Jens and his four older sisters never met their grandfather; he died in 1954. Jens' mother is in her seventies when her son, born in 1971, starts to poke around in the family history. She agrees to a critical examination of her father. Secrets hidden for over 60 years finally come to light. As they uncover the truth, this perfectly normal family goes through a highly emotional journey. Most shaken is the mother; her story of discovery is at the center of the film.

Rating

8.0 / 10
1 Reviews
0 Popular

Recommendations

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When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

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