"... British S.I.S. and U.S. Marines rescue Winston Churchill from Nazi storm troopers in the Moroccan Desert... Stop."
It is 1942 and the conflict between the U.S. and Germany is getting heated, U.S. Intelligence soon discovers that the Natzis are planning to capture Winston Churchill. In order to protect him they send commando Al Cooper to guard Churchill who is going by train to Casablanca where he will meet with Roosevelt and Stalin.
Jason Connery
Alan Cooper
Francesco Quinn
Captain Franchetti
Donald Pleasence
Colonel Bats
Glenn Ford
Major Gen. Williams
Luisa Maneri
Nanny
Jinny Steffan
Lt. Lorna Fisher
Jean Sorel
Major Valmore
Manfred Lehmann
Otto Von Tiblis
Horst Schön
Priest
It is 1942 and the conflict between the U.S. and Germany is getting heated, U.S. Intelligence soon discovers that the Natzis are planning to capture Winston Churchill. In order to protect him they send commando Al Cooper to guard Churchill who is going by train to Casablanca where he will meet with Roosevelt and Stalin.
Star power is perhaps less important in movies today than it was in decades past. Films are more often sold on a concept rather than a name and it is far less common for a star to have the ability to ‘open’ a film on their name power alone. The casting for Casablanca Express, a World War II set tale shot in Morocco and Italy demonstrates two types of name casting of the period. The first is the use of actors who had substantial careers but were perhaps past the point of being headliners themselves anymore. Glenn Ford at the age of 73 and Donald Pleasance at 70 are given substantial supporting roles that rely on their presence and the ability for their names to be used in print and related advertising. Ford had given very few acting performances in the previous decade, whilst Pleasance had been hugely busy in a large range of low budget features. The older audience would be familiar with the actors’ work and be happy perhaps to see them again in a feature. The second form of name recognition used is to cast the offspring of known actors, in this case the sons of Sean Connery and Anthony Quinn, relying perhaps on curiosity value from the audience about whether they would be equivalent level stars to their parents. In this case neither has a great deal of charisma but their evident willingness to engage in complex stunt work un-doubled for the most part is impressive. The complex action sequences atop and around trains go a long way to adding to the conviction of the film. The plot is fairly perfunctory though with a non-cheat twist ending and the remote locations through which the train of the title travels are fairly evocative. Dialogue is at time unintentionally hilarious and extensive post-production dubbing appears to have occurred. I enjoyed my first viewing of Casablanca Express but did not feel it had sufficient depth or other items of interest that would support a repeat viewing.
Seal Team Eight must fight their way deep into Africa's Congo, decommission a secret uranium mine, and stop our most dangerous enemy from smuggling weapon's grade yellow-cake out of the country.
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Lt. Col. Iceal "Ham" Hambleton is a weapons countermeasures expert and when his aircraft is shot over enemy territory the Air Force very much wants to get him back. Hambleton knows the area he's in is going to be carpet-bombed but a temporary shortage of helicopters causes a delay. Working with an Air Force reconnaissance pilot, Capt. Bartholomew Clark, he maps out an escape route.
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Set shortly after the end of World War II, a philosophical boxing drama of two fighters from opposite worlds (USA and Japan) who are pulled together for a questionable fight arranged by their unscrupulous managers and the Yakuza.
A chronicle of the Cristeros War (1926-1929), which was touched off by a rebellion against the Mexican government's attempt to secularize the country.
When a reclusive survivalist and his daughter rescue a mysterious, wounded woman from a river, they become entangled in a deadly web of violence and revenge, forcing them to confront a brutal criminal to survive.
A war criminal in hiding forms a relationship with his only connection to the outside world - his maid.