"In their hands, a deck of cards was the only thing more dangerous than a gun."
Bret Maverick is a gambler who would rather con someone than fight them, and needs an additional $3k in order to enter a winner-takes-all poker game beginning in a few days. He joins forces with a woman with a marvelous Southern accent, and the two try and enter the game.
Mel Gibson
Bret Maverick
Jodie Foster
Annabelle Bransford
James Garner
Marshal Zane Cooper
Graham Greene
Joseph
Alfred Molina
Angel
James Coburn
Commodore Duvall
Dub Taylor
Room Clerk
Geoffrey Lewis
Matthew Wicker / Eugene, Banker
Paul L. Smith
The Archduke
Bret Maverick is a gambler who would rather con someone than fight them, and needs an additional $3k in order to enter a winner-takes-all poker game beginning in a few days. He joins forces with a woman with a marvelous Southern accent, and the two try and enter the game.
From the moment I slapped eyes on this hombre, I smelled trouble. And re-fried beans. Maverick is directed by Richard Donner and written by William Goldman. It stars Mel Gibson, Jodie Foster and James Garner, with support coming from Alfred Molina, Graham Greene and James Coburn. The music is scored by Randy Newman and Vilmos Zsigmond is on photography. It's based on the 1950s television series of the same name and the plot finds Gibson as Maverick and follows his attempt to take his place in a major five-card draw poker tournament. With Foster and Garner in tow, there's plenty of adventures and misadventures along the way. After Costner's Dances With Wolves and Eastwood's Unforgiven had reignited interest in the Western genre in the 90s, Richard Donner and his team felt the time was right to unleash a light hearted Western on the mainstream audience. Timing was important, as was the casting, but Maverick is the sort of family friendly fun that could in truth be released at any time in any decade and still be a hit at the box office. It's not particularly clever in narrative or themes, but with its blending of action, romance and comedy seamlessly coming together as a whole, Maverick is practically hard to dislike. Even the cast seem to be having a real good time, with Gibson smooth and roguish, Foster dainty yet spunky and Garner (the original Maverick from the TV show) offering up a sort of stoic maturity over proceedings; with all three playing the comedy with ease (how great it is to see Foster in such a role). Donner and Goldman have also shown respect to both the TV show and the Western in general (check out those lovely landscapes), while it's always fun to play spot the numerous stars in the cameos. Harmless fluff, then, but always watchable and never once over reaching itself by trying to be something it's not. 7.5/10
A wagon master and a con-man preacher help freed slaves dogged by cheap-labor agents out West.
A female hustler is chasing after rich men, but becomes repeatedly mixed up with a suave con man and card shark through a series of misadventures before falling in love with him.
After bandits steal his poker winnings this American legend makes his way to the next town in search of them. Seeking out his revenge during a poker game gone bad Doc West finds himself in the local town jail. When his past is exposed and a battle amongst the town breaks out in gunfire he will have to choose sides, between the outlaws or the law-abiding citizens.
Two black bounty hunters ride into a small town out West in pursuit of an outlaw. They discover that the town has no sheriff, and soon take over that position, much against the will of the mostly white townsfolk.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.
A trio of unemployed silent film actors are mistaken for real heroes by a small Mexican village in search of someone to stop a malevolent bandit.
In this strange western version of Moby Dick, Wild Bill Hickok hunts a white buffalo he has seen in a dream. Hickok moves through a variety of uniquely authentic western locations - dim, filthy, makeshift taverns; freezing, slaughterhouse-like frontier towns and beautifully desolate high country - before improbably teaming up with a young Crazy Horse to pursue the creature.
Karl Westover, an inexperienced farm boy, runs away after unintentionally killing a neighbor, whose family pursues him for vengeance. He meets Barbarosa, a gunman of near-mythical proportions, who is himself in danger from his father-in-law Don Braulio, a wealthy Mexican rancher. Don Braulio wants Barbarosa dead for marrying his daughter against the father's will. Barbarosa reluctantly takes the clumsy Karl on as a partner, as both of them look to survive the forces lining up against them.
In the mid-19th century, Senator William J. Tadlock leads a group of settlers overland in a quest to start a new settlement in the Western US. Tadlock is a highly principled and demanding taskmaster who is as hard on himself as he is on those who have joined his wagon train. He clashes with one of the new settlers, Lije Evans, who doesn't quite appreciate Tadlock's ways. Along the way, the families must face death and heartbreak and a sampling of frontier justice when one of them accidentally kills a young Indian boy.