Sex & Perestroika
Three young Soviet women encounter a French filmmaker who is planning the first erotic film since the October Revolution.
Three young Soviet women encounter a French filmmaker who is planning the first erotic film since the October Revolution.
Elena Massourenkova
Alona
Yevgeniya Kryukova
Genia
Natalya Shchukina
Sales lady
François Jouffa
Boris
Ekaterina Inovenkova
The bride
Francis Leroi
Francis
Olga Koposova
cab driver
Leonid Ogaryov
photographer
Larisa Polyakova
One of the first interviewees
Three young Soviet women encounter a French filmmaker who is planning the first erotic film since the October Revolution.
While doing the inventory for a lingerie outlet in a high rise office building, five attractive women are terrorized by a series of bizarre killings. They suspect that the strange janitor, who witnessed another series of killings years back, is at the bottom of the whole thing. Little do they know the real horror that they face in the end.
Michel Berthier, a senior executive at a mattress manufacturing company, has just been fired. As he does not dare to tell the truth to Juliette, his partner, he goes into debt to maintain the family’s standard of living, showering them with gifts. But soon he can no longer lie, and he decides to leave the house. After losing his money, his car, and his shoes, he meets Toubib, Mimosa, and Crayon, three “homeless” people who wash themselves in the restrooms at the Gare de l’Est. They take him under their wing and lead him to break into his former company in order to get sleeping bags and beds.
This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.
Jérémie, 34, wakes up in an apartment he doesn't know, next to a woman he doesn't know. She is Adna, a stunning Swedish woman who is as funny as she is sweet. Is this the beginning of a fairy tale? Not quite, since Jérémie is about to get married—to Antoine.
Isa, Alice, Léa and Nina, linked by their Sephardic families as much as by their friendship, share their lives between love affairs, a beauty institute under fiscal control, children to raise, an undocumented Moroccan nanny to marry, repeated diets, family and religious holidays to honor, but before being beautiful, their biggest challenge is to be themselves.
How to become a man when your mother and your closed circle have decided otherwise? This is the challenge Guillaume took up. The film recounts Guillaume's tragicomic battle from the young age of eight, as he adopts the role of a girl then of a homosexual... until, aged 30, he meets the woman who, after his mother, will become the other woman in his life. Beyond this story of a heterosexual coming-out, the film tells the tale of an actor who never stopped loving women, maybe even a little too much.
Three young men - Jacques, Pierre, and Michel - share an apartment in Paris, and have many girlfriends and parties. Once, during a party, a friend of Jacques' tells him he has a quite compromising package to deliver, and asks him if he can leave it discreetly at their place. Jacques agrees and, as he works as a steward, flies away for a one-month trip in Japan, telling Pierre and Michel about the package. Then, one of Jacques' former girlfriends drops a baby before their door, making Pierre and Michel believing it is the package they are waiting for. Their lives are then completely changed.
Mary and her friend, Rachel, are new students at St. Francis Academy, a boarding school run by the iron fist of Mother Superior. The immature teens grow bored and begin playing pranks on both the unsuspecting nuns and their unpleasant classmates, becoming a constant thorn in Mother Superior's side. However, as the years pass, Mary and Rachel slowly mature and begin to see the nuns in a different light.
Lauren, a lovely 29-year-old it-girl, tries to break into the world of fashion by skimming Parisian parties. Olivia, a 28-year-old psychologist, has two obsessions: to save the confectionery of her parents, and to find her ideal husband. At the age of 26, Salma, a fiery young history teacher, still lives with her mother in the suburbs. Their roads have no reason to cross - until the day when, on the death of their biological father that they never knew, they inherit together a splendid Parisian apartment. For these three sisters who have nothing in common, cohabitation will prove to be explosive, to say the least.
38-year-old Alice has everything to become the next editor-in-chief of Rebelle magazine except for her uptight image. But when the young and charming Balthazar, barely 20, crosses Alice's path, she realizes that he holds the key to her promotion.