The Mummy

Overview

Though safely entombed in a crypt deep beneath the unforgiving desert, an ancient queen whose destiny was unjustly taken from her is awakened in our current day, bringing with her malevolence grown over millennia, and terrors that defy human comprehension.

Rating

10 Reviews

• 

  John Chard

  5 Oct 29, 2017

  Disappointingly unoriginal and average. So here we go, then, Universal begin their rebirth of the Universal Creature franchise (Dark Universe) with a crack at old bandage features, The Mummy, sadly the result is very average at best. You would think that with so many "Mummy" films of the past already on the market this new lease of life would be giving us, well, something new to gorge on, but what we actually get is a painfully familiar. From a summer blockbuster audience pleaser point of view it has the requisite effects work, it's loud, rambunctious and has Cruise and Crowe for star wattage, but Cruise is going through the motions, Crowe is laughably miscast (with a later dreadful accent issue to compound the misery), while the rest of the cast play second fiddle to the over egged effects work. It's neither dark enough as a head bothering thinker or witty enough to tickle the funny bone, in fact it at times is very dull. There's also the worrying attempts at crossing over into further creature feature ventures, a big reveal for a main character is sloppily handled, whilst the finale lands as flat as a pancake. There's some nice touches, the "Mummy" design is sharp (love those eyes), a plane crash is exhilarating and the film's stand out sequence, and the tomb/prison design is neat, but after that you start to scratch around for positives, which in itself tells a story. At least it looks and sounds great in HD, the colours and sub-woofer shakes a treat for the senses. It's all well and good people asking for it not to be judged by other Mummy films, but the creators here make that inevitable. Lifting the plot from one of the 1940's films, and even stealing a scene from the Stephen Sommers school of Mummy film making. It's unoriginal and as an opening salvo for a franchise it leaves Universal with a hell of a lot of work to do to make it work. 5/10

• 

  Reno

  6 Nov 4, 2017

  **The first in the Universal studio's 'Dark Universe'!** If you see the history, the reboots usually fails. It has to be at least half a century old to reboot like 'King Kong'. So the technology advantage would play a major role. It was less than the 20 years, the last 'The Mummy' film had released and pretty impressed everybody with modern visual effects. Even today's young generation getting used to that when it was played on the television. Comparing this to that, there's nothing much other than more perfection in graphics and additional digital 3D. In my opinion, they should have waited another decade. It was exactly reversed version of the 1999 film. I mean the character designs. Like female mummy coming to life and targeting a man for the ultimate power possession. Two US army men in Iraq found a hidden tomb like structure from the Egyptian era beneath the sand. The recovered ancient coffin shipped to England, but the plane crash down. Since then, an unknown force begins to hunt down one of that two army men. Fighting against it, followed by how the story ends comes in the later parts. When I first heard about the reboot, I said oh no! Hearing about Tom Cruise's involvement, it became double no! Actually, he was good in the film, but the film was unnecessary at this generation. Even though it did good at the box office, it was considered a decent run. But the studio has a bigger plan, that you would know if you watch the film, that they had already developed a plot for at least two more films with enough characters to carry on that long. If needed, it would add more in the latter. I feel that's a bad idea right now. Watching it one time is not bad, but no special at all. _5.5/10_

• 

  Wuchak

  7 Dec 5, 2019

  ***Adventure, thrills, horror, Tom Cruise and Annabelle Wallis*** Two American soldiers & treasure-hunters (Tom Cruise and Jake Johnson) discover the tomb of evil Princess Ahmanet (Sofia Boutella), who attempted to summon the death-god Set but was seized and mummified alive. They and an attractive archaeologist (Annabelle Wallis) fly Ahmanet's sarcophagus to Britain when all hell breaks loose. Russell Crowe is also on hand. "The Mummy" (2017) is the reboot of The Mummy trilogy of 1999-2008 and the first official film in Universal’s Dark Universe franchise, which reimagines & updates the classic universal monsters. The producers flirted with the idea of "Dracula Untold" (2014) being part of the Dark Universe, and the epilogue of that movie set in the modern world suggested this, but the idea was dropped. While “The Mummy” garnered $410 million worldwide, it was considered a disappointment and critics generally lambasted it. I found the modern setting a nice change of environment compared to the late 1920s-40s of the previous trilogy; it prevented it from being the same-old-same-old. I also didn't mind the various locations outside of ancient Egypt, e.g. northern Iraq and England; even Hammer's version from 1959 started in Egypt, but quickly moved to England. I also favored the switch to a female mummy and that the slightly convoluted story kept you guessing. So the flick gets points for NOT being one-dimensional and hackneyed. I enjoyed it for the most part, although it coulda been more compelling in the latter portions. It has the same spirit of high adventure of the 1999 movie mixed with gothic horror (including creepy zombies) and a bit o’ comedy, but not too much. While the curious inclusion of Dr. Jekyll (Crowe) smacked of pushing the new franchise, it didn’t ruin the viewing experience. And winsome Wallis doesn’t hurt. The film runs 1 hour, 50 minutes, and was shot in England; Burbank, California; and the Namib Desert, Namibia. GRADE: B

• 

  r96sk

  6 Nov 22, 2020

  A disappointment. 'The Mummy' begins with promise. I initially enjoyed the duo of Tom Cruise and Jake Johnson, the plot set-up and the location choice of London. Russell Crowe is a standout name too. However, sadly, the film gets progressively worse throughout the 110 minutes. The premise kinda just falls into itself, with any interest disappearing pretty quickly. The link between Cruise and Johnson becomes tiresome, as does all the comedy in the film in truth - there's a few chuckles, but nothing laugh worthy. The zombie vibe doesn't fit, either. What also doesn't help is the fact they're blatantly trying to set up a film universe of some sort, which they put too much focus on. I found the effects hit-and-miss, I feel like they could've used more practical stuff rather than relying so much on CGI - for the make-up et al. at least. Cruise leads ably and does a decent enough job - he has done far greater of course. Crowe never really gets going in my opinion, though does have a couple of cool to look at scenes late on. Sofia Boutella is alright, as is Annabelle Wallis. A meh for the cast. Nothing diabolical, but a fair distance from good too.

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  GenerationofSwine

  1 Jan 14, 2023

  Well, I do openly hate remakes and reboots. Movies like the Mummy I tend to give a pass to, mainly because that's what you do with movies like that. But...Were they remaking the Mummy or where they Remaking American Werewolf in London? Or were they remaking Hellboy? Or were they remaking League of Extraordinary Gentlemen? In the end its hard to tell, there were far too many similarities between all those films that I'm kind of shocked they haven't gotten sued for plagiarism. The problem isn't that it couldn't decide what direction it wanted to go in, the problem is that it couldn't decide what movie it wanted to reboot.

• 

  toufy

  3 Dec 17, 2024

  saw the bad reviews, and thought, "_it's probably not **that** bad. it's probably mostly just people who thought it didn't live up to the original's standards._" it **is** that bad. not the worst i've ever seen, but it. is. so. bad.