"The greater the spy, the bigger the lie."
When the plots of reclusive author Elly Conway's fictional espionage novels begin to mirror the covert actions of a real-life spy organization, quiet evenings at home become a thing of the past. Accompanied by her cat Alfie and Aidan, a cat-allergic spy, Elly races across the world to stay one step ahead of the killers as the line between Conway's fictional world and her real one begins to blur.
Henry Cavill
Argylle
Bryce Dallas Howard
Elly Conway
Sam Rockwell
Aidan Wilde
Bryan Cranston
Director Ritter
Catherine O'Hara
Ruth
Sofia Boutella
Saba Al-Badr
Dua Lipa
Lagrange
Ariana DeBose
Keira
John Cena
Wyatt
When the plots of reclusive author Elly Conway's fictional espionage novels begin to mirror the covert actions of a real-life spy organization, quiet evenings at home become a thing of the past. Accompanied by her cat Alfie and Aidan, a cat-allergic spy, Elly races across the world to stay one step ahead of the killers as the line between Conway's fictional world and her real one begins to blur.
It’s disappointing when a film has an intriguing premise but fails to deliver the goods in the end. Such is the case with director Matthew Vaughn’s latest, an action-adventure/comedy about an author of spy novels (Bryce Dallas Howard) who stumbles into a real-life espionage scenario that matches the plot of her latest novel, embroiling her in a web of ever-shifting intrigue with various nefarious parties. The problem here is that the film never quite latches onto a dedicated focus to make the picture work. Some of the comic bits are indeed quite funny, but they frequently get bogged down by a meandering story line that’s trying to follow a more conventional, twist-laden thriller format. It leaves viewers asking, “So what’s it going to be?” There’s also more than a little derivative material thrown in, such as story threads we’ve already seen before in movies like “Romancing the Stone” (1984), “The Long Kiss Goodnight” (1996) and any number of James Bond flicks. While it’s true that this release is intended to be a spoof of these titles (especially in scenes featuring Henry Cavill as a hilariously hammy 007 knock-off), there’s a big difference between paying tribute and playing unrepentant copycat. Then there’s the picture’s excessive length, coming in at a bloated 2:19:00 runtime, far longer than it needs to be, a failing attributable to an often-needlessly complicated plot, one that begins to try audience patience at times, especially in the back half. “Argylle” also features a cute, cuddly cat, Alfie, as a central character (at least in its trailer), but, like the narrative overall, the film doesn’t quite seem to know what to do with the supposedly frisky, fickle feline, an impression far different from what’s conveyed in the picture’s video marketing. All of this is a shame, because this title has both potential and some apparent strengths going for it, such as a fine soundtrack, superbly choreographed action sequences, and an excellent ensemble cast with the likes of Sam Rockwell, Bryan Cranston, Catherine O’Hara, Ariana DeBose, and a seriously underused Richard E. Grant, not to mention fine turns from Howard and Cavill as alter-egos of one another. This one isn’t nearly as bad as many critics have made it out to be, but it could have been substantially better with some significant retooling and judicious editing. “Argylle” apparently has ambitions to become a new franchise, too, but we’ll have to see if that materializes based on what kind of box office draw it ultimately produces. At this point, though, I think it has its work cut out for it.
_Argylle_ is an action thriller that willingly wallows in goofy, cringey nonsense. Its writing is immature, and its action is overloaded with sloppy CGI and outrageous concepts that are preposterously frustrating. **Full review:** https://bit.ly/arghspy
Such a peculiar film. Everything about it feels off. I was initially a little unsure as to what I thought about 'Argylle', but in the end: it's a no from me. I couldn't actually tell you one thing that I properly liked about this, like at a push Sam Rockwell and Bryan Cranston are decent but even they get a bit hit-and-miss. There's just a constant tinge of lousiness that follows around throughout. Bryce Dallas Howard feels miscast, even if she is fairly likeable. Henry Cavill is wooden (intentionally? doubtful), as is Dua Lipa but the musician has enough charm to make it work slightly. Speaking of music, all that is used here is alright but again feels off - mostly seems like the correct type of song, just the wrong exact choice of song... "Electric Energy" might grow on me, though. What also doesn't help is the unavoidable feeling that it is a bad redo of 'Kingsman', which is expected given who directed this and all that they are planning with the two flicks behind the scenes. I'm all for a shared universe, though this is perhaps too on the nose. There are also 'The Lost City' (itself echoing 'Nim's Island') vibes sprinkled in too. Another negative is the special effects, especially at the start... less said, the better. Overall, I think it all boils down to being a poor film - unfortunately, as I kinda wanted to like it but simply couldn't. Actually, it's just come to me, I just remembered a scene I actually did truly enjoy: the one with Leona Lewis' "Run" track. That was actually entertaining.
What a disappointment. It tried to be a little Long Kiss Goodnight, Bullet Train, Bugs Bunny and James Bond. The CGI is horribly bad. Love Dallas in most things but in this she was fine as the author character but so unbelievable as the action spectacular spy. Sam Rockwell was great, as usual and the rest did a serviceable job but the story was horribly executed. The colorful, smoke bomb, ballet gunfire gauntlet scene was absurd. And what's with the repetitive use of the new Beatles tune? Didn't fit and slowed the action down. And the use of Henry Cavill and John Cena was confusing, silly and not needed. Promising beginning that crashed and burned.
Cringe worthy nonsense, loaded down with puerile premise after puerile premise, predictable, done to death action and irritating characterisations. I managed about half of this before walking away. The US entertainment industry really is a bit of a bad joke these days.
Woof. I think they were going for fun quirky spy thriller, but it's just bad. And not bad in a way that is entertaining. All the characters and all the premises are just so stupid, and it looks so bad it's distracting, and it's boring on top of it all.
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