Nanni Moretti once again muses on the ebb and flow of life in April 1996, as he is about to become a father for the first time and finds himself unable to focus on his documentary about the upcoming general elections, where the left is heading into a rematch against Berlusconi.
Nanni Moretti
Nanni Moretti
Silvio Orlando
Silvio Orlando
Silvia Nono
Silvia Nono
Pietro Moretti
Pietro Moretti
Agata Apicella Moretti
Agata Apicella Moretti
Nuria Schoenberg
Nuria Schoenberg
Silvia Bonucci
Silvia Bonucci
Quentin de Fouchécour
Quentin de Fouchécour
Renato De Maria
Renato De Maria
Nanni Moretti once again muses on the ebb and flow of life in April 1996, as he is about to become a father for the first time and finds himself unable to focus on his documentary about the upcoming general elections, where the left is heading into a rematch against Berlusconi.
I did think it a little unkind that Silvio Berlusconi didn't get a credit here. He features enough - on television or by reputation! It's against the backdrop of the 1996 Italian elections that Nanni Moretti attempts to focus on two significant events in his life. Marginally more important is the birth of his first child, but that's only slightly ahead of his planned documentary about the aforementioned elections. Now this documentary wasn't his first choice. He was initially intent on making a musical, or some sort of revue, but now set on his new course he suffers from a director's block. The crew are poised but his brain is stalled. He's completely perplexed as he must juggle his priorities. He's man of the political left so his documentary planning is also fuelling his disdain for the future of politics in his country... Bluntly, he's between a rock and a very hard place. It's quirky and comical this film whilst taking a few free swipes at people generally out of their depth whether that be about fatherhood, politics or filmmaking. The last five minutes are maybe just a little predictably surreal and Moretti does rather monopolise the screen, but the jolly score and entertaining dialogue make for an enjoyable, if admittedly forgettable, eighty minutes of frustrated mayhem.
An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel.
Three very different Italians travel to their hometowns on election day: Pasquale, a Southern immigrant living in Munich, finds a country far removed from the one he left behind; Roman civil servant Furio's relentless nitpicking threatens to push his wife Magda over the edge; young Mimmo's journey is repeatedly interrupted by concerns about his grandmother's health.
When dignified Albert Donnelly runs for Governor, his team moves to keep his slow-witted and klutzy younger brother, Mike, out of the eye of the media. To baby-sit Mike, the campaign assigns sarcastic Steve, who gets the experience of a lifetime when he tries to take Mike out of town during the election.
The son of an atheist, authoritarian father, believed to be liberal, wants to become a priest.
In 18th-century Rome, impish aristocrat Onofrio del Grillo amuses himself by playing pranks on all sorts of people — his reactionary family and fellow nobles, the poors, the French occupiers trying to modernize society, and even the Pope himself.
Comedy about the flawed Italian healthcare system of the time and a doctor's expeirence with it.
Corrupt and sleazy entrepreneur Cetto La Qualunque comes back to Italy and "jumps into politics" lest his law-abiding opponent, Giovanni De Santis, is elected as mayor.
Peppino, a provincial librarian who became the accidental President of Italy, is now a father and has returned to a peaceful, happy life as a woodsman. That is, until his wife Janis decides to return to politics. Peppino is forced to abandon his home in the mountains and return to Rome to win back his love and help her defeat a speculative plot intended to damage Italy. Together, they must fight against social media attacks of the opposition and get the country back on its feet.
Benito Mussolini resurfaces in Rome 72 years after his death, as if not a single day had passed. Finding a country still full of problems, both old and new, his firebrand rhetoric wins him once again the hearts and minds of millions of Italians — who see him as a wacky reenactor who speaks inconvenient truths to power.
An old film director, unhappy with the movie he's shooting about a Hungarian circus stranded in Rome during the 1956 anti-Soviet uprising, faces divorce from his producer wife and other problems.