The lovely Ayşe moves from her country village to Istanbul in the hope of becoming an actress. One day she meets Haşmet, a grumpy, world-weary street photographer. He takes it upon himself to cure Ayşe of what he sees as her blind optimism, but some of it begins to rub off on the old cynic.
Sadri Alışık
Haşmet İbriktaroğlu
Ayla Algan
Ayşe Goncagül
Diclehan Baban
Zambak Düriye
Feridun Çölgeçen
Aktör Şefik
Danyal Topatan
Bakkal Halil
İhsan Yüce
Balıkçı İbrahim
Asım Nipton
Komiser
Güngör Denizaşan
Handan Adalı
Belkıs Hanım
The lovely Ayşe moves from her country village to Istanbul in the hope of becoming an actress. One day she meets Haşmet, a grumpy, world-weary street photographer. He takes it upon himself to cure Ayşe of what he sees as her blind optimism, but some of it begins to rub off on the old cynic.
Kaan and Mete, co-hosts of a mid 1990s radio show called Kaybedenler Kulübü (Losers' Club), struggle to deal with their daily lives after their show becomes an instant hit. Kaan meets Zeynep, the girl of his dreams, but their relationship comes under pressure as the show continues to stir controversy and attract fans from every segment of Istanbul society.
Bailey and Darla embark upon a misguided and mutually deceitful form of therapy, one in which they must drive across the country, re-enacting Darla's colorful history as a sex addict. As their true motivations for the road trip come to light, the unlikely pair force one another to confront their issues, discovering that there might actually be more to love than just sex.
A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.
An aspiring young filmmaker gets involved with an eccentric gangster for the financing of his first film.
Matt Ryder is convinced to drive his estranged and dying father Benjamin Ryder cross country to deliver four old rolls of Kodachrome film to the last lab in the world that can develop them before it shuts down for good. Along with Ben's nurse Zooey, the three navigate a world changing from analogue to digital while trying to put the past behind them.
Jon Katz is close to burnout. He's a writer with writer's block; his wife has left for her sister's because he's emotionally distant; he rarely answers his phone. A kennel sends him a border collie that's undisciplined because of abuse. Despite a series of mishaps, Jon decides to keep trying with the dog, and he rents a dilapidated farm house to give the dog room to run. A local handyman refers Jon to a woman who might be able to help him train the dog. Reluctantly, Jon gives her a try. Is the dog the problem, or the owner?
Guner Sernikli is a government official who, with his wife and their wheelchair bound daughter, has been assigned as the head librarian to this isolated province, virtually an exile since there is no library in the village. The family is warmly welcome, but these are the years of political anarchy and leftist/rightist clashes in big cities and the youth of the village inevitably follow the tides. They arrive in Vizontele, just as the situation is becoming really absurd. Guner brings wisdom; his daughter Tuba brings beauty, innocence and love. Some like the Mayor, Nazmi Dogan and crazy Emin appreciate these things but they are in the minority and confusion continues to reign. The story is based on the memories of writer-director Yılmaz Erdoğan of the last summer of his childhood in Hakkâri, Turkey in 1980.
A group of suburban teenagers try to support each other through the difficult task of becoming adults.
The story takes place in the small town of Hakkari in Turkey at the beginning of the '70s. The time has come to bring technology to that small town. The first Television (called Visiontele by the citizens) arrives and the chaos begins.
Entrenched in a midlife crisis, Aziz seeks solace from his mundane job, lonesome friends and rowdy family while pretending to have his act together.