Rio Lobo
"Give 'Em Hell, John."
After the Civil War, a former Union colonel searches for the two traitors whose perfidy led to the loss of a close friend.
"Give 'Em Hell, John."
After the Civil War, a former Union colonel searches for the two traitors whose perfidy led to the loss of a close friend.
John Wayne
Col. Cord McNally
Jorge Rivero
Capt. Pierre Cordona
Jennifer O'Neill
Shasta Delaney
Jack Elam
Phillips
Christopher Mitchum
Sgt. Tuscarora Phillips
Victor French
Ketcham
Susana Dosamantes
Maria Carmen
Sherry Lansing
Amelita
David Huddleston
Dr. Ivor Jones
After the Civil War, a former Union colonel searches for the two traitors whose perfidy led to the loss of a close friend.
Don't say comfortable eh? Out of Paramount Pictures, Rio Lobo is directed and produced by Howard Hawks (the last film he would direct) and stars John Wayne, Jorge Rivero, Jeniffer O'Neill, Jack Elam & Christopher Mitchum. It's written by Leigh Brackett & Burton Wohl, musically scored by Jerry Goldsmith and photographed by William H. Clothier on location at Cuernavaca, Mexico & Tuscon, Arizona. It's the third film in a loose trilogy by Hawks & Wayne that follows Rio Bravo (1959) & El Dorado (1966). Plot follows Wayne as Union officer Cord McNally who loses gold shipments (via the railway) to Confederate guerrillas led by Pierre Cordona (Rivero) & Tuscarora Phillips (Mitchum). It's the start of a relationship that will see all parties end up in Rio Lobo, Texas, where a traitor and a despotic sheriff are in their midst. Rio Lobo is easily the weakest Western that Hawks made with Duke Wayne. He himself would say that he didn't like the film, felt it wasn't any good, while Wayne himself was quoted as saying that he had already made the film twice before. Almost everything about Rio Lobo is tired, from the formula of the story to Wayne sleepwalking thru a role that held no challenge, it's a poor send off for one of America's finest directors. The script is solid enough, with many Hawksian themes evident; and it's nice to see the three lady characters be important to the story, but the cast put around Wayne are poor and out of their depth and this rubs off on the normally professional Wayne who finds he has nothing to act off of. It's not a total stinker, tho, certainly Clothier's photography and Goldsmith's score are worthy of investing time with, and the lead off sequence involving the train robbery is well put together and stirs the adrenalin. Sadly the film is never able to reach those heights again, with the ending being a rather tame affair that doesn't do justice to the bitter revenge tone that Hawks has steered the film towards. Of the sub-standard support cast there's only Jack Elam who is worth watching, be it for comedy value or for just giving it some gusto. All told the film just about comes out as watchable Sunday afternoon fodder. A running theme in the film sees fun poked at the ageing Wayne's expense, one of which involves the word comfortable. That is an apt word to use for Rio Lobo, because director and star are in the comfort zone, comfortably making an unchallenging and old hat movie. 5/10
There are really only two things to speak of with this: Tommy Tedesco's lovely guitar solo of Jerry Goldsmith's theme and Jack Elam is perfectly cast as the cantankerous whisky-swilling "Mr Phillips". Otherwise, it's just a routine outing for John Wayne (and Howard Hawks) who pretty much bears the weight of the film. Jorge Rivero; Jennifer O'Neill and Christopher Mitchum make up the numbers. The story is fun - a Yankee colonel meets up after the Civil war with two former Confederate officers to track down a man who had been selling secrets during the war and we have a few, predictable, adventures en route to an explosive climax.
A man and his partner arrive at a small Western town to kill its most powerful man because the former blames him for his wife's death.
A peace-loving, part-time sheriff in the small town of Firecreek must take a stand when a gang of vicious outlaws takes over his town.
Texas Ranger Jake Cutter arrests gambler Paul Regret, but soon finds himself teamed with his prisoner in an undercover effort to defeat a band of renegade arms merchants and thieves known as Comancheros.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
After a bank robbery, runaway Scottish outlaw Arch Deans and his young half-breed Kiowa partner Billy Two Hats develop a father-son relationship, but Sheriff Henry Gifford is determined to capture or kill them.
Two black bounty hunters ride into a small town out West in pursuit of an outlaw. They discover that the town has no sheriff, and soon take over that position, much against the will of the mostly white townsfolk.
In the turn-of-the century Texas town of Cottonwood Springs, marshal Frank Patch is an old-style lawman in a town determined to become modern. When he kills drunken Luke Mills in self-defense, the town leaders decide it's time for a change. That ask for Patch's resignation, but he refuses on the basis that the town, on hiring him, had promised him the job for as long as he wanted it. Afraid for the town's future and even more afraid of the fact that Marshal Patch knows all the town's dark secrets, the city fathers decide that old-style violence is the only way to rid themselves of the unwanted lawman.
During the war for Texas independence, one man leaves the Alamo before the end (chosen by lot to help others' families) but is too late to accomplish his mission, and is branded a coward. Since he cannot now expose a gang of turncoats, he infiltrates them instead. Can he save a wagon train of refugees from Wade's Guerillas?
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
Friends Jake and Jack Bull join up with Civil War guerrilla fighters, yet after the realities of war set in, they must decide what honor truly means.