"The poignant story of a girl who fell hopelessly in love!"
Pinky, a light skinned black woman, returns to her grandmother's house in the South after graduating from a Northern nursing school. Pinky tells her grandmother that she has been "passing" for white while at school in the North. In addition, she has fallen in love with a young white doctor, who knows nothing about her black heritage.
Jeanne Crain
Patricia "Pinky" Johnson
Ethel Barrymore
Miss Em
Ethel Waters
Dicey Johnson
William Lundigan
Dr. Thomas Adams
Basil Ruysdael
Judge Walker
Kenny Washington
Dr. Canady
Nina Mae McKinney
Rozelia
Griff Barnett
Dr. Joe McGill
Frederick O'Neal
Jake Walters
Pinky, a light skinned black woman, returns to her grandmother's house in the South after graduating from a Northern nursing school. Pinky tells her grandmother that she has been "passing" for white while at school in the North. In addition, she has fallen in love with a young white doctor, who knows nothing about her black heritage.
Jeanne Crain is the eponymousous young nurse - of mixed race - trying to get by in her grandmother's Southern town. She takes a shine to local (white) doctor "Adams" (William Lundigan) but when her ethnicity becomes better knows, however, that all goes awry. Determined to head back to the more enlightened territories in the North, she is persuaded to stay and tend to a wealthy infirm lady "Miss Em" (Ethel Barrymore). Initially frosty, the two women gradually start to respect one and other, and she also begins to earn the appreciation of her doctor "McGill" (Griff Barnett). The old lady's death and subsequent will leaves "Pinky" and the whole town in a quandary that highlights bigotry and greed in equal measure. This is a powerful story with a strong ensemble cast. I could have done with some more of Barrymore - if only to further exemplify how these two characterful women developed their relationship, but there are good contributions from Ethel Walters and Even Varden as the rather odious "Melba" to compensate a little. The production is fine, it flows well with succinct dialogue and Elia Kazan makes the most of the original Sumner novel. The racism that this reflects is writ large and makes for a powerful piece of cinema.
Will arrives for his last year at Military Academy, in the Deep South USA, in the 1960's. A black student, Pearce, has been accepted, for the first time and Will is asked to keep an eye out for the inevitable racism. The racists come in the form of The Ten, a secret group of the elite students. They want Pearce to leave on his own free will, but are prepared to torture him to make it 'his free will'. Will is forced to help Pearce and he is prepared to risk his own career to do so.
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Spurred by a white woman's lie, vigilantes destroy a black Florida town and slay inhabitants in 1923.
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Aibileen Clark is a middle-aged African-American maid who has spent her life raising white children and has recently lost her only son; Minny Jackson is an African-American maid who has often offended her employers despite her family's struggles with money and her desperate need for jobs; and Eugenia "Skeeter" Phelan is a young white woman who has recently moved back home after graduating college to find out her childhood maid has mysteriously disappeared. These three stories intertwine to explain how life in Jackson, Mississippi revolves around "the help"; yet they are always kept at a certain distance because of racial lines.
Two hoodlum brothers are brought into hospital for gunshot wounds, and when one dies, the other accuses their Black doctor of murder.
Based on the true story of a black girl who was born to two white Afrikaner parents in South Africa during the apartheid era.
Thurgood Marshall, the first African-American Supreme Court Justice, battles through one of his career-defining cases.