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Crisis Poster
6.4 1h 33m

Crisis

A small-town piano teacher is shocked by the arrival of her foster daughter's biological mother, whose young lover soon follows and causes further disruption.

Top Cast

  • Inga Landgré

    Inga Landgré

    Nelly

  • Stig Olin

    Stig Olin

    Jack

  • Marianne Löfgren

    Marianne Löfgren

    Jenny

  • Dagny Lind

    Dagny Lind

    Ingeborg Johnson

  • Allan Bohlin

    Allan Bohlin

    Ulf

  • Ernst Eklund

    Ernst Eklund

    Edvard

  • Signe Wirff

    Signe Wirff

    Jessie

  • Svea Holst

    Svea Holst

    Malin

  • Arne Lindblad

    Arne Lindblad

    Mayor

Overview

A small-town piano teacher is shocked by the arrival of her foster daughter's biological mother, whose young lover soon follows and causes further disruption.

Rating

6.4 / 10
108 Reviews
0 Popular

1 Reviews

  • CinemaSerf
    CinemaSerf
    6 Nov 28, 2022

    His debut, I know, but I actually found this to one of the more accessible Ingmar Bergman films - maybe that's why it isn't actually that great. It follows the young "Nelly" (Inga Landgré) living with her kindly foster mother "Mutti/Ingeborg" (Dagny Lind) who teaches piano in their small town. This peaceful existence is suddenly turned on it's head, though, when her real mother "Jenny" (Marianne Löfgren) shows up intent on reconciling with her long estranged offspring. She doesn't show up alone - her rather lively and mischievous friend "Jack" (Stig Olin) comes along too, and at a charity ball he and "Nelly" cause a bit of a stir that causes consternation for her friend "Ulf" (Allan Bohlin), gets someone a wetting and causes tongues to wag to such an extent that poor old "Nelly" has to relocate to the city. Things there aren't a bed of roses there either, and pretty soon the young woman must make some difficult choices. This is a solid ensemble effort with decent efforts from all concerned as the rather unlikeable group of characters have to deal with their self-induced and conflicted predicaments. There is a bit of chemistry between Olin and Landgré that at times raises a smile and/or makes you cringe, but for the most part the narrative is a bit wooly - too many people cluttering up a story that somehow lacks focus. Still, I did understand it which is more than I can say for many of this director's later, more impenetrable, works.

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