A weary traveler stops at an inn along the way to get a good night's sleep, but his rest is interrupted by odd happenings when he gets to his room--beds vanishing and re-appearing, candles exploding, pants flying through the air and his shoes walking away by themselves.
Georges Méliès
The Traveler
A weary traveler stops at an inn along the way to get a good night's sleep, but his rest is interrupted by odd happenings when he gets to his room--beds vanishing and re-appearing, candles exploding, pants flying through the air and his shoes walking away by themselves.
L‘auberge Ensorcelée is another jump into the experiments in film. Georges Méliès jumped into this one just after his first “horror” film Le Manoir du Diable. This short shows a man that is staying at a haunted hotel that is constantly harassing our hero. Think of this film as a family friendly and extremely short version of 1408. The movie has a very usual equation. There is one person who is being tormented to show the different use of effects during the time. The man just becomes extremely frustrated instead of scared and the whole thing plays out more like a comedy then an actual horror movie. The jokes or “scary-scenes” are more campy than jumpy. There are various articles disappearing and reappearing. There is a pair of boots that walk on their own. There is a bed that disappears completely. However, this is all just done to showcase the “Jump Cut” and use of magnets in film. Georges Méliès plays himself in the film, again.
Georges Méliès' adaptation of Jonathan Swift's "Gulliver's Travels" is most distinguished, today, for being a color film of the classic story. Color was rare in 1902 (and many years after) as non-tinted color has to be hand painted on the film; this was an arduous task. Also notable is the film's short running time of approximately five minutes. Much of the original work is not covered, but viewers were expected to be familiar with the story, and enjoy the filmed highlights. There are a couple of scenes missing; according to contemporary reports, Gulliver's shipwreck was certainly included. You can do a lot in a few minutes, as Mr. Méliès includes a re-make of his own "Une partie de cartes" (1896), which already looked like something previously covered by the Lumière Brothers.
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