Mai
A portrait of the eccentric and obsessive collector (or compulsive hoarder) Mai Finglass, landlady to founder Amber members Murray Martin and Sirkka-Liisa Konttinen, when students in London.
A portrait of the eccentric and obsessive collector (or compulsive hoarder) Mai Finglass, landlady to founder Amber members Murray Martin and Sirkka-Liisa Konttinen, when students in London.
Mai Finglass
Self
A portrait of the eccentric and obsessive collector (or compulsive hoarder) Mai Finglass, landlady to founder Amber members Murray Martin and Sirkka-Liisa Konttinen, when students in London.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
Brilliant, long in-the-works story of the life and art of the world's greatest comedian and the cinema's first genius, Charlie Chaplin. Produced, written and directed by renowned film critic Richard Schickel.
A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
The life and career of an actor, artist, and icon. His own journey through his own camera.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
A documentary that explores the downloading revolution; the kids that created it, the bands and the businesses that were affected by it, and its impact on the world at large.
A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.
A dreamlike conversation with the past and the present, reimagining Latasha Harlins' story by excavating intimate memories shared by those who loved her.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
Performance artist Marina Abramovic prepares for a major retrospective of her work at the Museum of Modern Art in New York.