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In an autobiographical narrative in the form of a report, visual artist Santo speaks of a pointed moment of rupture against an oppressive religious and sexual system in which he was a hostage. Today as a former Jehovah's Witness, he reflects on paradoxes, fascism, and theocratic technologies of manipulation.

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In an autobiographical narrative in the form of a report, visual artist Santo speaks of a pointed moment of rupture against an oppressive religious and sexual system in which he was a hostage. Today as a former Jehovah's Witness, he reflects on paradoxes, fascism, and theocratic technologies of manipulation.

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