It was February 2012, on a crowded Spring Festival train traveling from Guangzhou to Dazhou, Sichuan. A green passenger train was packed with travelers. A railway police officer walked through one overcrowded carriage after another, keeping watch over the passengers. During the patrol, the officer crossed paths with a young woman. Then, the crowded carriages gradually became empty. The train picked up speed. No one knew where it was truly headed.
Zhao Dayong
Self
It was February 2012, on a crowded Spring Festival train traveling from Guangzhou to Dazhou, Sichuan. A green passenger train was packed with travelers. A railway police officer walked through one overcrowded carriage after another, keeping watch over the passengers. During the patrol, the officer crossed paths with a young woman. Then, the crowded carriages gradually became empty. The train picked up speed. No one knew where it was truly headed.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
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