Nikolai Podvoysky

This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin. Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part. As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government. In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him.

A group of teenage cadets sheltered from war at the Virginia Military Institute must confront the horrors of an adult world when they are called upon to defend the Shenandoah Valley.

An escaped slave travels north and has chance encounters with Frederick Douglass and John Brown. Based on the life story of Shields Green.

Ivan Demarin, a young officer of Peter the First’s new guards, follows the Tsar’s order and goes to the frontier town of Tobolsk, deep in the Siberian forest. There Ivan falls in love for the first time and he and his regiment happen to be involved in conspiracy of local princes who hunt for gold in the town of Yarkand. His fort is surrounded by hordes of wild Dzungars and there is no one to call for help…

A chronicle of the Cristeros War (1926-1929), which was touched off by a rebellion against the Mexican government's attempt to secularize the country.

A Russian military propaganda film about the tank commander Kalashnikov, severely injured in battle in 1941. The accident leaves him incapacitated and unable to return to the front line. While recovering in the hospital, he begins creating the initial sketches of what will become one of the world’s most legendary weapons. A self-taught inventor is only 29 when he develops the now iconic assault riffle — the AK-47. Shot in occupied Crimea.

On an isolated English farm in 1657, Fanny lives a quiet life with her oppressive husband John and their young son. One day their life is rocked with the arrival of young couple Thomas and Rebecca who claim to have been robbed and need a place to stay. But are these strangers really who they say they are?

December of 1941, Northwestern Front. A German tank column is moving towards Moscow. During a mission to stop the enemy advance, Nikolai Komlev's IL-2 is shot down. Komlev manages to crash-land his plane in a remote forest clearing. He's alive, but far from friendly territory. Ahead of him is a relentless trial of severe physical and mental endurance. After battling hunger and extreme cold, evading packs of wolves and detachments of Nazi soldiers, the wounded Komlev finally makes it back to safety. But there he faces another challenge, the most life-changing of them all.

Set both in Latin America and the United States, the film explores the historic and current relationship of Washington with countries such as Venezuela, Bolivia and Chile. Pilger says that the film "...tells a universal story... analysing and revealing, through vivid testimony, the story of great power behind its venerable myths. It allows us to understand the true nature of the so-called "war on terror". According to Pilger, the film’s message is that the greed and power of empire is not invincible and that people power is always the "seed beneath the snow".

In 16th-century Russia in the grip of chaos, Ivan the Terrible strongly believes he is vested with a holy mission. Believing he can understand and interpret the signs, he sees the Last Judgment approaching. He establishes absolute power, cruelly destroying anyone who gets in his way. During this reign of terror, Philip, the superior of the monastery on the Solovetsky Islands, a great scholar and Ivan's close friend, dares to oppose the sovereign's mystical tyranny. What follows is a clash between two completely opposite visions of the world, smashing morality and justice, God and men. A grand-scale film with excellent leading roles by Mamonov and Yankovsky. An allegory of Stalinist Russia