The Red Village

The film is set during 1962 in Sevastopol, Crimea, then a secret Navy Base in the Soviet Union. General Serov hires Viktor, a cadet from the Kremlin Guard to work as his private chauffeur. In a jet-black "ZIM" limo, Viktor is chauffeuring the General's disabled daughter Vera. Viktor is oblivious to the hidden agenda of the KGB agent Saveliev, who manipulates everyone behind the scenes in the old rivalry between the Army and KGB.

Georgy is driving a load of freight into Russia when, after an unpleasant encounter with the police at a border crossing, he finds himself giving a lift to a strange old man with disturbing stories about his younger days in the Army. After next picking up a young woman who works as a prostitute and is wary of the territory, Georgy finds himself lost, and despite asking some homeless men for help, he’s less sure than he was before of how to make his way back where he belongs. As brutal images of violence and alienation cross the screen, Georgy’s odyssey becomes darker and more desperate until it reaches an unexpected conclusion.

Contemporary Russia. After he flubs a penalty kick, a humiliated national soccer player quits the game. He flees to a small town, where he decides to coach their local team.

Russian provincial town in the middle of the 1930s Stalin's Great Purge. Ivan Lapshin, the head of the local police, does what he has to do. And he does it well.

On a summer day in late 19th century Russia, a group of bourgeois friends and acquaintances gather at a dilapidated country estate.

Based on the writer/director's childhood, FARMING tells the story of a young Nigerian boy, 'farmed out' by his parents to a white British family in the hope of a better future. Instead, he becomes the feared leader of a white skinhead gang.

The legendary Roberto Duran and his equally legendary trainer Ray Arcel change each other's lives.

An uninterrupted rehearsal of Chekhov's 'Uncle Vanya' plays out by a company of actors. The setting: their run-down theater with an unusable stage and crumbling ceiling. The play is shown act by act with the briefest of breaks to move props or for refreshments. The lack of costumes, real props and scenery is soon forgotten.

A pair of twin brothers from East L.A. choose to live their lives differently and end up on opposite sides of the law.

A man struggles with the tragic memories of his past to make sense of his present, but soon realizes that time isn't the enemy he thinks it is.