Gullu Dada Thiree
"No Bhaigiri... Only Dadagiri..."
The third in the series, after Fun aur Masti and Gullu Dada Returns, Gullu Dada Thiree is a film with good blend of just every emotion that will set in your heart with thrice the fun and laughter.
"No Bhaigiri... Only Dadagiri..."
The third in the series, after Fun aur Masti and Gullu Dada Returns, Gullu Dada Thiree is a film with good blend of just every emotion that will set in your heart with thrice the fun and laughter.
Adnan Sajid Khan
Aziz Naser
Diksha Panth
Mujtaba Ali Khan
Akbar Bin Tabar
Aziz Rizwan
Toufeeq khan
Altaf Hyder
KB Jaani
The third in the series, after Fun aur Masti and Gullu Dada Returns, Gullu Dada Thiree is a film with good blend of just every emotion that will set in your heart with thrice the fun and laughter.
Three friends begin a dangerous three-way relationship that spirals out of control, leading to dire consequences that haunt them ten years later.
Two successful women, sick and tired of dating and relationships, decide to keep two young men in their pool house for strictly sexual purposes.
The son of a courtesan retreats into a fantasy world after being forced to end his relationship with the older woman who educated him in the ways of love.
A lonely 40-ish man, likely to remain a bachelor, has a chance to find the love of his life when he falls for a vivacious young woman.
A man falls in love with his childhood friend, but another friend is the one who reciprocates his feelings.
A fashionable contemporary art gallerist in Chelsea, New York falls for a brooding new music composer in this comic satire of the state of contemporary art.
Cynthia Rand is a buttoned-up New Yorker married to a brilliant professor 25 years her senior. She begins feeling the effects of her husband’s advancing age on their relationship, just as her world is turned upside down by the arrival of sharp but chronically underachieving security guard Stan Olszewski in this smart rom-com that reunites Bacon and Sedgwick on screen for the first time in 20 years.
An aspiring Hollywood actress, on a visit to a charming North England town, has a brief fling with the town undertaker, who also writes obituaries for the local paper. Returning home, where she works as a waitress at a Japanese restaurant, she tells everyone about the handsome "writer" she met on her trip. Unfortunately, he decides to follow her back to Hollywood, setting up the expected light romantic comedy with asides as the newcomer gains experience about the goings on in Hollywood.
Womanising, right-wing Dan Hanson and quiet, liberal Lorie Bryer work for the Baltimore Sun. Rivals for the job of new writer of a vacant column, the paper ends up instead printing their very different opinions alongside each other, which leads to a similarly combative local TV show. At the same time their initial indifference to each other looks like it may evolve into something more romantic.
Set in 1958, the coming of age story follows four lower middle-class Brooklyn teenagers known as The Lords of Flatbush. The Lords chase girls, steal cars, shoot pool, get into street fights, and hang out at a local malt shop.