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Terry 100 Channels

"Don't play games with your health. You can trust King Terry."

Through a series of obscene animations, the work of iconoclast animator Teruhiko "King Terry" Yumura lampoons a range of cultural icons and taboos: California bodybuilding culture, onanism, hyperviolent cinema, marital bliss, and more. Soundtracked entirely by American funk/soul, each short matches the inherent depravity of its subject matter with an equally crude style, from fake commercials to slice-of-life stories and pornographic picaresques.

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Overview

Through a series of obscene animations, the work of iconoclast animator Teruhiko "King Terry" Yumura lampoons a range of cultural icons and taboos: California bodybuilding culture, onanism, hyperviolent cinema, marital bliss, and more. Soundtracked entirely by American funk/soul, each short matches the inherent depravity of its subject matter with an equally crude style, from fake commercials to slice-of-life stories and pornographic picaresques.

Rating

1.0 / 10
2 Reviews
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Recommendations

Heavy Traffic

A white dropout struggles to become a cartoonist and filmmaker, drawing inspiration from the harsh, gritty world around him. Still sharing his rundown apartment with his middle-aged parents, an oafish slob of an Italian father and a ditzy nutcase of a Jewish mother, he's ridiculed and looked down upon by his friends, hypocrites who run with violent gangs and the Italian Mafia, and a shallow Black girl who makes her living downtown with the pimps and pushers. The cartoonist gets a chance to pitch a film idea to a movie mogul, but the story proves too outrageous: a far-future Earth, depleted by war and pollution, where a mutant antihero challenges and kills God.

Heavy Traffic

6.5 1973
Genius Party

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Genius Party

6.5 2007