A Night at the Garden
Archival footage of an American Nazi rally that attracted 20,000 people at Madison Square Garden in 1939, shortly before the beginning of World War II.
Archival footage of an American Nazi rally that attracted 20,000 people at Madison Square Garden in 1939, shortly before the beginning of World War II.
Archival footage of an American Nazi rally that attracted 20,000 people at Madison Square Garden in 1939, shortly before the beginning of World War II.
It’s hardly surprising that National Socialism could find a home amongst the American population at the end of the 1930s, but this short newsreel focuses quite an effective light on just how “presentable” and “patriotic” the Nazis could make their swastika and their pro-gentile policies to twenty thousand folk. There is no radical language, no taunting or hate speech here. This is a man who mentions only the positives of his strategy and he even manages to do a little bit of Soviet-bashing as he preaches to his converted before a stranger forces his way onto the stage. Is he a protester or is he a plant? We don’t know, and that’s why I struggle to define this a documentary. The original archive speaks for itself, but the film doesn’t identify the speaker nor who the interloper was. I didn’t need a narration, but a few astons wouldn’t have gone amiss to keep us informed of who was who. Europeans would have been well used to these rousing gatherings by 1939 so perhaps it was only a matter of time in a city like New York.
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Produced and presented as evidence at the Nuremberg war crimes trial of Hermann Göring and twenty other Nazi leaders, this film consists primarily of dead and surviving prisoners and of facilities used to kill and torture during the World War II.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
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