Monsieur Paul

Megan Carter is a reporter duped into running an untrue story on Michael Gallagher, a suspected racketeer. He has an alibi for the time his crime was allegedly committed—but it involves an innocent party. When he tells Carter the truth and the newspaper runs it, tragedy follows, forcing Carter to face up to the responsibilities of her job when she is confronted by Gallagher.

A prisoner leads his counterparts in a protest for better living conditions which turns violent and ugly.

After being run out of Las Vegas, reporter Carl Kolchak heads for Seattle and another reporting job with the local paper. It's not long before he’s on the trail of another string of bizarre murders. It seems that every 21 years, for the past century, a killer murders a certain number of people, drains them of their blood, and then disappears into the night. Kolchak is on his trail, but can he stop him?

After being freed from a Vietnamese war prison, French Lt. Col. Pierre Raspeguy is sent to help quell resistance forces in Algeria. With the help of the Capt. Esclavier, who has grown weary of war, and Capt. Boisfeuras, who lives for it, Raspeguy attempts to convert a rugged band of soldiers into a formidable fighting unit, with the promise of marrying a beautiful countess if he's made a general.

Idealistic young attorney Adam Hall takes on the death row clemency case of his racist grandfather, Sam Cayhall, a former Ku Klux Klan member he has never met.

Jean-Marie Fayard is a young examining magistrate in a large provincial french city. He belongs to that generation of judges who are endeavoring to re-adapt the notion of justice to our changing times. His methods are not agreeable to every one. Criticism and pressure are brought to bear upon him but he is aware of his value, professionally, and refuses to make any concessions. He follows an unwavering course. He uses dynamic methods and takes uncustomary initiatives. He behaves like a crusader, a battler, whence the nickname given him by the reporters : the sheriff.

The true story of the Mauritanian Mohamedou Ould Slahi, who was held at the U.S military's Guantanamo Bay detention center without charges for over a decade and sought help from a defense attorney for his release.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

A man must survive a prison where hardened criminals battle to the death for the warden's entertainment.

A second trial begins in November 1975 against French left-wing revolutionary Pierre Goldman, accused of several armed robberies and the death of two chemists.