Based on a text from the recent Egyptian novel The Revolution of 2053 by Mahmoud Uthman, and referencing a scene from Chris Marker’s La Jetée (1962), a time-traveller recounts his vision of the future of the Pyramids area, and by extension Egypt, in the year 2026 – a vision that strains to reach beyond, yet remains severely confined by the present’s imaginal constraints.
Ahmed Kamal
Based on a text from the recent Egyptian novel The Revolution of 2053 by Mahmoud Uthman, and referencing a scene from Chris Marker’s La Jetée (1962), a time-traveller recounts his vision of the future of the Pyramids area, and by extension Egypt, in the year 2026 – a vision that strains to reach beyond, yet remains severely confined by the present’s imaginal constraints.
Inspired by Chris Marker's iconic 1962 featurette La Jetée; the year is 2073—a not-so-distant dystopian future—and the setting is New San Francisco, the scorched-earth tech-dominant police state where democracy and personal freedom have been well and truly obliterated.
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Set against the backdrop of a postapocalyptic Earth whose Eastern Hemisphere was destroyed by a massive solar flare, leaving what life remains mutated from radiation and fallout. The story revolves around a group of treasure hunters who extract such objects as the Mona Lisa, the Rosetta Stone and the Crown Jewels while facing rival hunters, mutants and pirates.