Observations of a space and (last) time, of a landscape and the people who inhabit it. The first chapter of the Flowers of Eringyum cycle, the film portrays the family background where the individual journey begins, the rituals of middle-class life, their representations (also in home movies), and what they may conceal.
Elfriede Antze
Massimo Bacigalupo
Andrea Bacigalupo
Anna Crovetti
Frieda Bacigalupo Natali
Ulla Zet Uri
Observations of a space and (last) time, of a landscape and the people who inhabit it. The first chapter of the Flowers of Eringyum cycle, the film portrays the family background where the individual journey begins, the rituals of middle-class life, their representations (also in home movies), and what they may conceal.
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
The life and career of an actor, artist, and icon. His own journey through his own camera.
An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
This revealing portrait of Cuba follows the lives of Fidel Castro and three Cuban families affected by his policies over the last four decades.
A documentary shot by filmmakers all over the world that serves as a time capsule to show future generations what it was like to be alive on the 24th of July, 2010.
An odyssey through time and memory, centered on a place in New Jersey where—from wilderness, and then, later, from a home—love, loss, struggle, hope and legacy play out between couples and families over generations.
"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.